Sunday, November 29, 2020

As ‘Queen’s Gambit’ Shows, The Stories We Choose To Tell Can Change Lives

 

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Parts of Sydney tip 40 degrees as heatwave descends across NSW

Michael Watson began his career in the camera department and worked his way up – and his job in HBO’s Lovecraft Countrywasn’t easy. “On a visual level, [it is] a really fascinating show that offers a lot of different creative challenges. It’s a period piece. It actually takes place in many different periods, but none of them are the present day. And it’s playing around with a lot of genres … like classic horror and H.P. Lovecraft and science fiction. I mean, there’s even a role playing game style dungeon crawl in one episode.” – Slate


As ‘Queen’s Gambit’ Shows, The Stories We Choose To Tell Can Change Lives

Chess sets are sold out all over the United States, and little kids (and adults) of all genders are suddenly very, very into chess. What if Queen’s Gambit had been the rage 50 years ago, instead of, or alongside of, stories about Bobby Fischer? – Los Angeles Times



Book Sales Soar In Australia During COVID

While business is booming for online booksellers – Booktopia reported a 28% increase in sales in the 2020 financial year, driven substantially by Covid lockdowns – bricks and mortar stores have had an uneven year. – The Guardian


Murdoch’s News Corp. Bids To Buy Iconic Simon & Schuster

The powerhouse publisher was put up for sale by its owner, ViacomCBS, in March, and the company has since fielded more than half a dozen inquiries, according to three people familiar with the process who declined to be named because the matter remains confidential. – The New York Times


Poet Souvankham Thammavongsa Wins 2020 Giller Prize

Born in the Lao refugee camp in Nong Khai, Thailand, and raised in Toronto, Thammavongsa has earned acclaim for her four poetry books and her writing has been featured in publications including Harper’s Magazine, the Paris Review and The Atlantic. – CBC


700 Pages, 120 Characters, One Actor Reading The Audiobook

“Around 90% of [William Gaddis’s] JR is in unattributed dialogue, with only dashes and ellipses to indicate when a character starts and stops speaking or, more accurately, is interrupted. [The novel] is a teeming operatic racket, an anarchic satire of US capitalism where the flailing voices of more than 120 characters – plus snatches of adverts, news bulletins and TV broadcasts – bellow over one other.” Actor Nick Sullivan’s 37-hour reading of JR has attracted a fanbase in the nine years since it was released, and he calls it “the most rewarding narration job I have ever had.” – The Guardian


NYC Pub Borrows a Page From Leftists in Lockdown Dispute