Sotheby's and spectacle.Banksy’s autoshredding stunt reinforces how contemporary art is not so much about art but the documentation of an event Rich Gossip in ford
Defining the Thing | Dan Hitchens | First Things
Sounds like what Potter Stewart said about pornography — you may not be able to define it, but you know it when you see it.
The Atlantic – The more bosses try to keep track of their workers, the more precious time employees waste trying to evade them.
“…In fact, electronic surveillance of employees, through technologies including not just video cameras but also monitoring software, has grown rapidly across all industries. Randolph Lewis, a professor of American Studies at the University of Texas at Austin and the author of Under Surveillance, Being Watched in Modern America, pointed to software that makes it possible for employers to monitor employee facial expressions and tone of voice to gauge their emotional states, such as rage or frustration. Among more conventional surveillance methods, employers can track employees’ website visits, and keep tabs on their employees’ keystrokes. Employers can also monitor employees’ personal blogs, and read their social-networking profiles. In one case in California, a sales executive at a money-transfer firm sued her employer, claiming she had been fired for disabling an app that used employer-issued cell phones to track workers via GPS, even when they were off the clock.
While most Americans know about social media bots, many think they have a negative impact on how people stay informed – “Since the 2016 U.S. presidential election, many Americans have expressed concern about the presence of misinformation online, particularly on social media. Recent Congressional hearings and investigations by social media sites and academic researchers have suggested that one factor in the spread of misinformation is social media bots – accounts that operate on their own, without human involvement, to post and interact with others on social media sites. This topic has drawn the attention of much of the public: About two-thirds of Americans (66%) have heard about social media bots, though far fewer (16%) have heard a lot about these accounts. Among those aware of the phenomenon, a large majority are concerned that bot accounts are being used maliciously, according to a new Pew Research Center survey conducted July 30-Aug. 12, 2018, among 4,581 U.S. adults who are members of Pew Research Center’s nationally representative American Trends Panel (the Center has previously studied bots on Twitter and the news sites to which they link)
Twenty-three years of marriage, this is how we did it: Kate Forster is a Melbourne MEdia Dragoness and author
- by Melissa Heagney
How data helped visualize the family separation crisis
“Early this summer, at the height of the family separation crisis – where children were being forcibly separated from their parents at our nation’s border – a team of scholars pooled their skills to address the issue. The group of researchers – from a variety of humanities departments at multiple universities – spent a week of non-stop work mapping the immigration detention network that spans the United States. They named the project “Torn Apart/Separados” and published it online, to support the efforts of locating and reuniting the separated children with their parents.
The project utilizes the methods of the digital humanities, an emerging discipline that applies computational tools to fields within the humanities, like literature and history. It was led by members of Columbia University’s Group for Experimental Methods in the Humanities, which had previously used methods such as rapid deployment to responded to natural disasters.
The group has since expanded the project, publishing a second volume that focuses on the $5 billion immigration industry, based largely on public data about companies that contract with the Immigration and Customs Enforcement agency. The visualizations highlight the astounding growth in investment of ICE infrastructure (from $475 million 2014 to $5.1 billion in 2018), as well as who benefits from these contracts, and how the money is spent.
Storybench spoke with Columbia University’s Alex Gil, who worked on both phases of the project, about the process of building “Torn Apart/Separados,” about the design and messaging choices that were made and the ways in which methods of the digital humanities can cross pollinate with those of journalism…”