Saturday, April 04, 2026

Rabbi Harold S. Kushner, Reassuring Best-Selling Author

“Like a lot of children who feel they’re going to die soon, he was afraid he would be forgotten... I promised I’d tell his story.”

~  1935-2023

Folklore for Children



Rabbi Harold S. Kushner, Reassuring Best-Selling Author

With a wide-reaching spiritual message in books like “When Bad Things Happen to Good People,” he drew on his own experience with grief and doubt.


Rabbi Harold Kushner, a practical public theologian whose best-selling books assured readers that bad things happen to good people because God is endowed with unlimited love and justice but exercises only finite power to prevent evil, died on Friday in Canton, Mass. He was 88.

His death, in hospice care, was confirmed by his daughter, Ariel Kushner Haber.

Several of Rabbi Kushner’s 14 books became best-sellers, resonating well beyond his Conservative Jewish congregation outside Boston and across religious boundaries in part because they had been inspired by his own experiences with grief, doubt and faith. One reviewer called his book “When All You’ve Ever Wanted Isn’t Enough” a “useful spiritual survival manual.”

Rabbi Kushner wrote “When Bad Things Happen to Good People” (1981) after the death of his son, Aaron. At age 3, just hours after the birth of the Kushners’ daughter, Aaron was diagnosed with a rare disease, progeria, in which the body ages rapidly.

When Aaron was 10 years old, he was in his 60s physiologically. He weighed only 25 pounds and was as tall as a three-year-old when he died in 1977 two days after his 14th birthday.ke a lot of children who feel they’re going to die soon, he was afraid he would be forgotten because he didn’t live long enough, not knowing parents never forget,” Rabbi Kushner told the alumni magazine Columbia College Today in 2008. “I promised I’d tell his story.”

The book was rejected by two publishers before it was accepted by Schocken Books. It catapulted to No. 1 on the New York Times best-seller list and transformed Rabbi Kushner into a popular author and commentator.

“It was my very first inkling of how much suffering was out there, all over the world, that religion was not coping with,” he told The Times in 1996.


His thesis, as he wrote in the book, was straightforward: “It becomes much easier to take God seriously as the source of moral values if we don’t hold Him responsible for all the unfair things that happen in the world.”


Rabbi Kushner also wrote:

“I don’t know why one person gets sick, and another does not, but I can only assume that some natural laws which we don’t understand are at work. I cannot believe that God ‘sends’ illness to a specific person for a specific reason. I don’t believe in a God who has a weekly quota of malignant tumors to distribute, and consults His computer to find out who deserves one most or who could handle it best.

“‘What did I do to deserve this?’ is an understandable outcry from a sick and suffering person, but it is really the wrong question. Being sick or being healthy is not a matter of what God decides that we deserve. The better question is, ‘If this has happened to me, what do I do now, and who is there to help me do it?’”

He was making the case that dark corners of the universe endure where God has not yet succeeded in making order out of chaos. “And chaos is evil; not wrong, not malevolent, but evil nonetheless,” he wrote, “because by causing tragedies at random, it prevents people from believing in God’s goodness.”

Unpersuaded, the journalist, critic and novelist Ron Rosenbaum, writing in The New York Times Magazine in 1995, reduced Rabbi Kushner’s thesis more dialectically: “diminishing God to something less than an Omnipotent Being — to something more like an eager cheerleader for good, but one decidedly on the sidelines in the struggle against evil.”


“In effect,” he wrote, “we need to join Him in rooting for good — our job is to help cheer Him up.”

Rabbi Kushner argued, however, that God was omnipotent as a wellspring of empathy and love.

Image
A color photo of an older Rabbi Kushner wearing wire-frame glasses, a light-gray shirt and a dark necktie. The altar of his synagogue and a colorful stained-glass window can be seen behind him.
Rabbi Kushner in 2012 in the sanctuary of Temple Israel in Natick, Mass., outside Boston. He led the congregation for 24 years while writing many of his books. Credit...Art Illman/Metro West Daily News, via Associated Press

Harold Samuel Kushner was born on April 3, 1935, to Julius and Sarah (Hartman) Kushner in the East New York section of Brooklyn. His mother was a homemaker. His father owned Playmore Publishing, which sold toys and children’s books, especially Bible stories, from a shop at Fifth Avenue and 23rd Street that he hoped his son would take over. Harold felt he lacked his father’s business sense.

“The only thing worse than competing with my father and failing would be competing with him and outdoing him,” he said.“Going into the rabbinate was not a way of saying, ‘I’m rejecting what you’re doing.’ I’m affirming it.”

He was raised in Brooklyn (the family moved to the Crown Heights section when he started elementary school), where he was a passionate Brooklyn Dodgers fan. After graduating from Erasmus Hall High School, he earned a bachelor’s degree from Columbia University in 1955 and a master’s there in 1960.

He had planned to major in psychology but switched to literature after studying under Prof. Mark Van Doren, the Pulitzer Prize-winning poet. On a lark, but armed with a solid religious upbringing, he enrolled in an evening program at the Jewish Theological Seminary. By his junior year at Columbia he had decided to become a rabbi.

After Columbia, he enrolled full-time at the seminary where he was ordained, graduated in 1960 and received his doctorate in 1972. He studied later at the Hebrew University of Jerusalem.

He volunteered for two years in the Army’s Chaplain Corps at Fort Sill, Okla., where he became a first lieutenant. Returning to New York after his discharge, he served for four years as an assistant rabbi at Temple Israel in Great Neck, N.Y., on Long Island.

Rabbi Kushner married Suzette Estrada in 1960 and moved to Massachusetts, where he became rabbi of Temple Israel in Natick, a suburb of Boston, in 1966. He served as the congregational rabbi there for 24 years and remained a member of the congregation until he moved into a senior living residence in Canton in 2017.

His wife died in 2022. His brother, Paul, a rabbi in Bellmore and Merrick on Long Island, died in 2019. In addition to his daughter, he is survived by two grandchildren.

Among Rabbi Kushner’s other books are “How Good Do We Have to Be? A New Understanding of Guilt and Forgiveness” (1997), “Living a Life That Matters” (2001) and “The Lord Is My Shepherd: Healing Wisdom of the 23rd Psalm” (2003).

He also collaborated with the novelist Chaim Potok in editing “Etz Hayim: A Torah Commentary,” the official commentary of Conservative Jewish congregations, which was published by the Rabbinical Assembly and the Jewish Publication Society in 2001.


Rabbi Kushner often said he was amazed at the breadth of his readership across theological lines. In 1999, he was named clergyman of the year by the organization Religion in American Life. In 2007, the Jewish Book Council gave him a Lifetime Achievement Award.

In his books, other writings and on-air commentary, often as a radio and television talk show guest, he became a font of aphorisms embraced by clergy of all denominations. Among them were: “Forgiveness is a favor we do for ourselves, not a favor we do to the other party,” and, “If we hold our friends to a standard of perfection, or if they do that to us, we will end up far lonelier than we want to be.”

“People who pray for miracles usually don’t get miracles, any more than children who pray for bicycles, good grades, or good boyfriends get them as a result of praying,” he wrote. “But people who pray for courage, for strength to bear the unbearable, for the grace to remember what they have left instead of what they have lost, very often find their prayer answered.”

He explained that his book “When All You’ve Ever Wanted Isn’t Enough” was intended to be “an examination of the question of why successful people don’t feel more satisfied with their lives.”

“Drawing on the Biblical book of Ecclesiastes, it suggests that people need to feel that their lives make a difference to the world,” he wrote. “We are not afraid of dying so much as of not having lived.”

A correction was made on 
May 1, 2023

An earlier version of this obituary misspelled the name of the company that published “When Bad Things Happen to Good People.” It is Schocken Books, not Shocken Books.

A correction was made on 
May 2, 2023

An earlier version of this obituary misstated when Rabbi Kushner died. It was Friday, April 28 — not Thursday, April 27.


When we learn of a mistake, we acknowledge it with a correction. If you spot an error, please let us know atcorrections@nytimes.com.Learn more

Sam Roberts, an obituaries reporter, was previously The Times’s urban affairs correspondent and is the host of “The New York Times Close Up,” a weekly news and interview program on CUNY-

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Friday, April 03, 2026

Detský súbor Tatranka založila Marta Chamillová v roku 1963

"Three great forces rule the world: stupidity, fear and greed.” ~ Albert Einstein


And we also lived by Marta Chamillová’s fierce folkloric dictum: “Fitting in is death. Remember that. You want to stand apart from your peers. Always."


“Like a lot of children who feel they’re going to die soon, he was afraid he would be forgotten... I promised I’d tell his story.”

~

1935-2023


Tatranka Subor 


 Vrb*v felt like a black hole when I was a teenager, and at some point, it became a blank canvas. The Royal town will survive without me just fine. But it feels nice knowing I and my sister AGA made a difference.


Detský súbor Tatranka založila Marta Chamillová v roku 1963, do Vrbova prišla ako učiteľka slovenčiny so skúsenosťami s vedením folklórneho súboru v jej predchádzajúcom pôsobisku, v Sabinove. 


Tatranka, Vrbov _ Bedeme še grač


Slovakgirl by Karol Plicka; she almost looks like she could be a 1970s hippie teen dressed in peasant-style clothes 🤭 Tatranka Subor - Mantra of Marta Chamillova


Repertoár Tatranky pozostával z pôvodných goralských detských hier a tancov na základe zberateľskej práce. Námety získavala s magnetofónom po okolitých dedinách a nahrávacie zariadenie zverovala aj mladým súboristom, chodili po domoch a sami nahrávali piesne, porekadlá i spomienky, ktoré potom vedúca pretavila do javiskovej podoby. 

Deti navštevovali a zaznamenávali tradície starších členov svojich rodín, susedov či známych, ale aj iných potenciálnych informátorov.

Royal Reims HENNEQUIN  

 

„Vedľa nás v Kežmarku bývali chlapi z Poľska, ktorí robili na OSP (Okresný stavebný podnik, pozn. red.). Vedúca mi dala kazeťák a fľašu vodky, aby som za nimi zašla. Mala som asi dvanásť rokov, zo začiatku im bolo smiešne, čo to ja taká malá chcem. 
Ale keď som vytiahla tú vodku, veruže mi zaspievali: Hej, džifce z Javořiny, hej, chlopiec na doline,“ hovorí Janka Tomalová (rod. Bajusová), ktorá bola súčasťou súboru v rokoch 1975 až 1978. 

Bývalí členovia, ktorých sme oslovili, si na Martu Chamillovú spomínajú ako na „sekeru“. Bola veľmi prísna, na skúškach vyžadovala viac než stopercentnú disciplínu, vedela „drviť slovom“ a v časoch zhruba pred päťdesiatimi rokmi nebolo výnimkou ani „zaucho“. 




Zároveň sa zhodujú, že ak by taká nebola, ani Tatranka by nedosahovala niekdajšej kvality. Vzostup prišiel veľmi rýchlo. V roku 1963 sa súbor sformoval, o rok žal úspechy na festivale v Strážnici, rok na to vystupoval na novoročných slávnostiach na Pražskom hrade a v júni 1965 sa už začala séria víťazstiev na prehliadke detských súborov v Trenčíne. 
Pre folkloristov z Vrbova sa stalo automatickým, že na prehliadkach vyhrávali prvé miesta a cestovali po Európe. 
Pod dohľadom učiteľky a s jej pomocou šili súboristi, deti z Vrbova, Žakoviec, Vlkovej, Abrahámoviec či Ľubice a ich rodičia goralské kroje a vyrábali i pomôcky do hier a tancov. 
Okrem toho, že každý zodpovedal za vlastný kroj a jeho špičkový stav, na všetko v súbore existoval systém. Pred každým vystúpením dostali speváci a tanečníci vypiť detskú výživu, čo bola starosť niekorého z členov, podobne ako aj nachystať pomôcky na javisko – a pri detskej zábudlivosti si táto „pozícia“ neraz vyžadovala aj operatívu v podobe akútneho riešenia. 
Ďalšia z bývalých členiek, Mária Koľová (rod. Schmögnerová), si spomína na systém zbierania sa na skúšku. 
Vedúca určila člena, ktorý vyrazil po druhého, spolu šli po ďalšieho, a tak priberali deti naprieč dedinou, aby sa na nikoho nezabudlo. Krojové súčiastky, látky, plné krabice detských výživ, všetko išlo podľa niekdajšej zástupkyne ZDŠ Vrbov Eleny Schmögnerovej z platu Marty Chamillovej. 
Po štrnástich rokoch tvorivej práce odišla v júni 1977 vedúca do dôchodku. Jej miesto zaujali odchovankyne Marta Bednárová a Anna Gurgoľová, ktoré celkom „neosireli“, Marta Chamillová s činnosťou ešte pomáhala. 
V roku 2000 dala po kríze Tatranke šancu ešte aj Lujza Šoltésová, súbor však dnes už nefunguje. (zdroj: Jana Tomalová, 2022, Časopis Tatry, číslo: 5)

*The Story of Tatranka - Chamillová - Translated to English

The Tatranka children's ensemble was founded by Marta Chamillová in 1963. She came to Vrbov as a Slovak teacher with experience in leading a folklore ensemble in her previous place of work, in Sabinov. Tatranka's repertoire consisted of original highland children's games and dances based on her collecting work. She obtained ideas with a tape recorder in the surrounding villages and entrusted the recording equipment to the young ensemble members, who went from house to house and recorded songs, proverbs and memories themselves, which the leader then transformed into a stage form. 
The children visited and recorded the traditions of older members of their families, neighbors or acquaintances, but also other potential informants. 
"There were guys from Poland living next door to us in Kežmarok who worked at the OSP (District Construction Company, ed. note). The manager gave me a cassette tape and a bottle of vodka to go see them. I was about twelve years old, at first they thought it was funny that I, so young, wanted this. 
But when I took out the vodka, they sang to me: Hey, little girls from Javořina, hey, boy in the valley," says Janka Tomalová (née Bajusová), who was part of the ensemble from 1975 to 1978. Former members we spoke to remember Marta Chamillovová as an "axe". She was very strict, she demanded more than one hundred percent discipline during exams, she knew how to "crush with words" and in the days about fifty years ago, even "early childhood" was no exception. 
At the same time, they agree that if it were not like that, even Tatranka would not have reached its former quality. The rise came very quickly. 
In 1963, the ensemble was formed, a year later it enjoyed success at the festival in Strážnice, a year later it performed at the New Year's festivities at Prague Castle, and in June 1965 a series of victories at the children's ensembles' show in Trenčín began. For the folklorists from Vrbov, it became automatic that they would win first places at shows and travel around Europe.

Under the teacher's supervision and with her help, the ensemble members, children from Vrbov, Žakovie, Vlková, Abrahámoviec or Ľubice, and their parents sewed highlander costumes and also made props for games and dances. In addition to the fact that everyone was responsible for their own costume and its top condition, there was a system for everything in the ensemble. 
Before each performance, the singers and dancers were given baby food to drink, which was the responsibility of one of the members, as well as preparing props for the stage - and when children were forgetful, this "position" often required an operative response in the form of an acute solution. Another former member, Mária Koľová (née Schmögnerová), remembers the system of gathering for rehearsals. The leader designated a member who would go after the second, and together they would go after the next one, and so the children would be recruited across the village so that no one would be forgotten. 
Costume parts, fabrics, boxes full of baby food, everything went according to the former representative of the ZDŠ Vrbov Elena Schmögnerová from Marta Chamilloová's salary. After fourteen years of creative work, the head retired in June 1977. Her place was taken by the trainees Marta Bednárová and Anna Gurgoľová, who were not completely "orphaned", Marta Chamilloová still helped with the activity. In 2000, after the crisis, Lujza Šoltésová also gave Tatranka a chance, but the ensemble is no longer functioning today. 
(source: Jana Tomalová, 2022, Časopis Tatry, issue: 5