Sunday, January 23, 2022

Macbeth as Film Noir Thriller

'Fight fire with fire': why eating chilli helps cool you down on a hot day
Steamed turbot, winter tomatoes and new season’s olive oil — a Rowley Leigh recipe 


Forget intricate recipes simplicity is what brings out the best in this fish

The King of the Sea does not have to be complicated — it will be perfect with hollandaise or even simpler treatment


Turbot has never been cheap, and nor should it be. This imperious fish has always been very highly regarded: its rich, gelatinous flesh has earned it the title King of the Sea and there can be no better claimant to the throne. It inspires respect and I can recall several occasions in restaurants when it has lived up to the title. 

I once had a huge steak of very fresh fish simply poached and served with a hollandaise sauce in the venerable Sweetings in the City of London perhaps 40 years ago. The restaurant is still there and I note turbot is charged at only £30, which makes it something of a bargain. The great Richard Corrigan gave me a similar piece, again simply poached, but this time accompanied with melted butter and freshly grated horseradish, an inspired combination that I have copied subsequently. The most inventive turbot dish I’ve had was at the three-star Guy Savoy in Paris. 

The fish was a tronçon (a steak cut across the bone, usually after the fish has been split down the middle), which was served at the table, the central bone neatly removed and replaced with a poached egg, and lightly drizzled with olive oil. After I’d devoured this, the head waiter removed the top, perforated part of the large soup plate to reveal the poached frill of the fish floating in a fragrant broth with some soft cloves of garlic and slices of potato, accented by spots of egg yolk and olive oil that had escaped from the upper chamber.


Equally, I could describe in detail the turbot stuffed with lobster mousse and wrapped in pastry served by Michel Roux Jr to celebrate Le Gavroche’s 40th birthday. But there isn’t space. Suffice it to say that I and a few other shameless guests went back several times for more. The first two dishes demonstrate very well that turbot does not have to be complicated. 

The fish is the thing and so long as it isn’t overcooked — the flesh should just come away from the bone but not without revealing a little faint pinkness — it will be perfect with hollandaise or horseradish or the even simpler treatment offered here. Steamed turbot, winter tomatoes and new season’s olive oil.


Unlike many fish, the bigger the turbot, the finer the flavour. Steer clear of the farmed stuff. The oil should be of the highest quality: it doesn’t have to be Tuscan but it helps. The winter tomatoes coming out of Spain and Italy at this time of year — varieties such as Raf, Iberiko and Camorna — may lack the sweetness of summer tomatoes but have an acidity and intensity that are an ideal accompaniment to fish. 

Recipe for two 

Quantity Ingredients 4 winter tomatoes 

Salt 

Black pepper 

Sugar 

½ tsp red wine vinegar 

 2 large turbot steaks, or tronçons, 3cm thick 

2 tsp sweet pimento, plus a pinch of picante pimento Fresh marjoram or oregano 

60ml new season’s olive oil 

Remove stalks and cut the tomatoes in half. Season each one with a pinch of salt, some milled pepper, a pinch of sugar and half a teaspoon of red wine vinegar (other vinegars would be fine). Place on a tray cut side up and bake in a cool oven (130C) for 30-40 minutes until they have dried out and concentrated their flavour. 

Season the turbot well with salt and black pepper 10 minutes before cooking. Dust the flesh sides (those without skin) with the pimento and place the turbot in a steamer for eight to 10 minutes. Cooking time depends on the thickness of the steaks: test them with a wooden skewer — when cooked, the skewer will glide through with only the bone resisting. 

Peel off the dark skin — and the white if you really don’t like it — and serve with the tomatoes sprinkled with the chopped herbs and the fish generously doused in the oil. Serve with purple sprouting broccoli turned in a little chopped garlic softened in olive oil. Wine White, obviously, and this should be the stuff of dreams. Great white Burgundy fits the bill, just as long as it still has freshness, vigour and absolutely no premature oxidation. My desert island choice, however, might be white Rhône. How about Beaucastel’s Roussanne Vieilles Vignes, about 10 years old? Ridiculously expensive, of course, but a bargain next to Grand Cru Puligny Montrachet or Meursault.


Hear the river rushing past, smell the salty ocean air, feel the slimy rocks – this book is the closest you’ll be to the water without having to travel at all.

Essays included are written by Jock Serong, Amy Liptrot and Dr Deborah Cracknell

Life at the Edge Why Australians Love the Water By: Jo Turner (Editor) Life at the Edge : Why Australians Love the Water - Jo Turner


MARK JUDGE:  Macbeth as Film Noir Thriller.


 ‘Shouldn’t Be Mentioned’: Denzel Washington Has Grown Tired of Hollywood’s Diversity Obsession. “From his point of view, the Macbeth and The Book of Eli star gets that diversity is good and should be celebrated. 

But, the fact that pop culture is fixated on superficial characteristics like race means we are losing focus on the real talents, abilities and humanity in people of all races and identity groups.”


HALLUCINOGENIC BEER, IS THERE ANYTHING IT CAN’T DO? Archaeologists Suspect Hallucinogenic Beer Helped Bolster a Peruvian Empire.


PRETTY RARE OVER 50 TOO:  Death during sex very rare among those under 50. “Only 0.2% of nearly 6,900 sudden cardiac death cases autopsied at a London hospital over a quarter-century were related to sexual 

, researchers report Jan. 13 in the journal JAMA Cardiology.” But much more common on TV.


The Vega Brothers from Quentin Tarantino


Inglourious Basterds’ Witty Slate Clapper

Geraldine Brezca has worked on several of director Quentin Tarantino’s movies,

 and for Inglourious Basterds, she was the slate operator — i.e. she clapped the clapper before each scene. And as this video shows, she was very entertaining and creative in her duties:

For each scene’s label, Brezca came up with something funny (A66F = “au revoir 66 fuckers”), ribald (29B = “29 blowjobs”), appropriate (39FE = “39 feet essential” on a scene featuring feet), respectful (4AK = “4 Akira Kurosawa”), or profane (79E = “79 fucking explosives”, which got quite a chuckle from Brad Pitt). See also Here’s Why Slate Operators Matter (And Why Quentin Tarantino’s is So Great).


Jeff Wall’s photographs open wide vistas on to hushed, enigmatic scenes. A figure slumps on a sidewalk at night, barely visible in the shadows. A man cracks his front door to peer into the hall. A trio of women pluck chickens at a table. An open grave fills with water.


Head High: Top-Notch New Drama Series from New Zealand Now Streaming in the US



 These panoramic close-ups, monumental in scale, sharp in focus and crammed full of carefully assembled detail, hint at stories that we can’t reconstruct no matter how long we stare. Examining one of these pictures is like parachuting into the middle of a multi-season TV series: you don’t know what’s important or what has already been explained, but you can sense the stakes. Each tableau, full of tension, feels like an instant that precedes calamity, or a tragedy that’s almost complete before anyone has noticed.


Glenstone, an elegant arrangement of concrete boxes in a verdant estate outside Washington, DC, has mounted the largest Wall retrospective in the US in 14 years, and it’s a stunner. As I prowled the impeccably spare galleries I thought of Bruegel’s Icarus, tumbling unheeded out of the sky while the rest of the world carries on with the rumpus of daily life. WH Auden, in his poem “Musée des Beaux Arts”, singled out the disturbance in that burbling winter landscape …


Wall’s penchant for mystery has bloomed to fill both large frames. Do these two people share a home? Do they even know each other? Nothing seems to pass between them, no current leaps from one photo to the other. And that impenetrable loneliness is Wall’s most consistent theme, the tragic sense that whatever ferocious upheaval one person may experience, it barely registers on anyone else’s emotional seismograph.

Photographer Jeff Wall takes on the Old Masters


The activist, documentarian and photographer, who has died aged 87, captured the American civil rights movement while shooting the likes of David Bowie and Robert Kennedy



Ali to Andy W: Steve Schapiro’s life in photography – in pictures


THIS NEWS OUGHT BOOST VACCINATION RATES:   Man’s agonizing penis pain is found to be rare side effect of COVID.


Is That A Social Construct In Your Pocket Or Are You Just Happy To See Me?