In normal times, blockbuster movies usually dominate the box office charts.
The big-budget productions, directed by the likes of James Cameron, Steven Spielberg and Ridley Scott, regularly draw the biggest crowds at cinemas across the US and beyond.
But on 10 June, one box office-topping movie was watched by just two people, in one cinema.
Unsubscribe, a 29-minute horror movie shot entirely on video-conferencing app Zoom, generated $25,488 (£20,510) in ticket sales on that day.
Nationwide, the movie hit the top of the charts, according to reputable revenue tacker Box Office Mojo.
Fanta Traore at Fortune covers black economists. Good to see the recognition, but how about Virgil Storr (my colleague, recently promoted, thousands of citations)?
George Akerlof essay on the biases in economics.
Geoguessr, a new game, an automated version of the old Andrew Sullivan, “view out your window” where is this photo. And what the queen bees really are saying.
The success story of Nigerian-Americans.
“Median age of COVID-19 patients in Florida was 37 last week, compared to the 60s months ago.”
Are the ambidextrous less authoritarian? (speculative)
For its July 2020 issue, Scientific American has published A Visual Guide to the SARS-CoV-2 Coronavirus detailing what scientists have learned about this tiny menace that’s brought our world to a halt.
In the graphics that follow, Scientific American presents detailed explanations, current as of mid-May, into how SARS-CoV-2 sneaks inside human cells, makes copies of itself and bursts out to infiltrate many more cells, widening infection. We show how the immune system would normally attempt to neutralize virus particles and how CoV-2 can block that effort. We explain some of the virus’s surprising abilities, such as its capacity to proofread new virus copies as they are being made to prevent mutations that could destroy them. And we show how drugs and vaccines might still be able to overcome the intruders.
How have they done it? They acted early and aggressively.
- “A pair of brothers can’t see eye to eye. Both are suffering losses… In this uplifting story both eventually come to see that the holes in our lives are not just absences; they are shaped by the presences around us. Four Stars.” — Kristie Miller (Sydney) reviews philosophical works as if they were movies. Two thumbs up!