‘Sadness, some kind of regret, I think. Well, everything came apart after that. I mean, obviously it was all very fragile before that. But in a way that was the start of the real chaos.’
“When we judge or criticize another person, it says nothing about that person; it merely says something about our own need to be critical.”
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Designer Keiji Ashizawa used muted tones to make the most of the sunlight in this apartment in central Tokyo, which features wooden art pieces and furniture that was specially designed for the space.
For the Hiroo Residence, named after its location in the city's Hiroo neighbourhood, Ashizawawanted to underline the quality of the light in the flat.
Wooden furniture and artworks decorate Hiroo Residence in Tokyo
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Last year there was a trial of a woman aged 97, dating to events in Nazi Germany more than three-quarters of a century ago when she was an 18-year-old typist in the Stutthof Concentration Camp. Julian Assange’s trial, if he ever has one, will be about events decades ago and our PM who has no sympathy for Assange’s actions, is urging resolution of the matter because enough is enough.
Those two cases are examples of the awkwardness of determining in what circumstances can ‘enough’ be said to be ‘enough’.
