Our carpenter father Jozef Imrich also did cut one of his fingers with a circular saw …
Fairy Tale
By Amorak Huey
A tiny magical man makes me an offer.
I cannot refuse. My father’s thumb grows back.
The price I have agreed to pay is too great;
I cannot bear to say its name aloud. In the corner
of every room I enter, the tiny magical man
crouches, nameless and cruel. Not today, he says.
Not today. One day, I will enter a room and he will
not be there, and I will know the bill has come due.
A phone will ring. I will answer. A stranger’s voice
will mispronounce my name, apologize,
hesitate. In this brief silence, foolish hope will bloom
Sonny Barger, famous Hells Angel and bestselling author, dead at 83 of cancer Oakland Daily Democrat
The Animal Crisis Is a Human Crisis Boston Revise
Who’s Going to Save Local Businesses From Amazon And Other Monopolies? The U.S. Postal Service. Washington Monthly
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‘I’m Retiring From Sex Work With $1 Million. What Next?’ The Cut. “Move to Costa Rica.”
Future Library ceremony and symposium
The Future Library in Norway has, since 2014, famously been collecting manuscripts from well-known authors that will only be published in 2114, on paper made from recently planted trees in a nearby forest.
Apparently, authors have been unable to hand off their manuscripts since 2018, so the latest three -- by My Struggle-author Karl Ove Knausgård (2019), Ocean Vuong (2020), and Nervous Conditions-author Tsitsi Dangarembga (2021) -- all dropped theirs off together, yesterday.
Today, there will be a Symposium -- with, for example, David Mitchell, Sjón, and Rob Young discussing: 'Vertical Labyrinths: Rewriting Time' -- as well as the grand opening of the 'silent room' where the manuscripts will now be kept and on (locked) display.
(Updated - 15 June): See now also Rosie Goldsmith's report in The Guardian, Future Library opens secret archive of unseen texts in Oslo (though of course what was 'opened' wasn't the actual archive (i.e. the material), but the room housing it).
The ethics of ... autocriticism ?
At Practical Ethics Mette Leonard Høeg considers Can a Character in an Autobiographical Novel Review the Book in Which She Appears ? On the Ethics of Literary Criticism.
Høeg writes:
I suggest that some literary works call for precisely a literary criticism that is personal and based on the critic’s experiences with the author and the reality it presents. I propose to use the term autotheoretical criticism, or, simply, autocriticism, to designate a genre or kind of literary of criticism which foregrounds the critic’s personal relation to the author of the reviewed work and which is based on the view that such a personal/private connection is relevant, if not even necessary in order to adequately assess the reality-referencing and confessional project of the many works in contemporary literature that blend fiction and autobiography, i.e. to criticise such genre-blending works according to the parameters they themselves set out.
Oh, good, more terminology .....
Anyway, I'm very much hoping never to be in a position where I have to consider this. I could also do without ever seeing "criticism which foregrounds the critic’s personal relation to the author of the reviewed work".