“People are always asking me when I'm going to retire. Why should I?
I've got it two ways. I'm still making movies, and I'm a senior citizen,
so I can see myself at half price.”
— George Burns
Among the handful of things I have learned about life with the calm, quiet clarity of elemental knowing is one that bears repeating: The human heart is an ancient beast that roars and purrs with the same passions, whatever labels we may give them. We are so anxious to classify and categorize, both nature and human nature. It is a beautiful impulse — to contain the infinite in the finite, to wrest order from the chaos — but it is also a limiting one: In naming things, we often come to mistake the names for the things themselves. The labels we give to the loves of which we are capable — varied and vigorously transfigured from one kind into another and back again — cannot begin to contain the richness of feeling that can flow between two hearts and the bodies that contain them. Emily Dickinson knew this intimately — the extraordinary lifelong love she shared with Susan prompted her, after decades, to exult in verse: “Title divine — is mine! The Wife — without the Sign!”
ROMANTICSJohannes Brahms and
Clara SchumannThe modern biographers worry
“how far it went,” their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth-century, how a hand
held overlong or a gaze anchored
in someone’s eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.
Overhear a little — ever so little, but ever so beautiful — in these tender excerpts from Clara and Johannes’s surviving letters, then pair them with a lovely picture-book about love beyond label. For more of Mueller’s penetrating insight into the lives of the heart and the mind, savor her poems about how our frames of reference limit us and what gives meaning to our ephemeral lives.
Rock pool, Little Bay
In a time of social distancing, one restaurant adds mannequins
Mannequins dressed in fine 1940's-style attire were already theatrically staged at The Inn at Little Washington, near Virginia's Blue Ridge Mountains.
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If people concentrated on the really important things in life, there’d be a shortage of Iceberg Bondinista swimming costumes
While the German marine biologist Ernst Haeckel was salving his fathomless personal tragedy with the transcendent beauty of jellyfish, having enraptured Darwin with his drawings, his English colleagueWilliam Saville-Kent (July 10, 1845–October 11, 1908) was transcending his own darkness on the other side of the globe with the vibrant, irrepressible aliveness of the Great Barrier Reef and its astonishing creatures.
The Great Barrier Reef: Stunning 19th-Century Illustrations from the World’s First Encyclopedia of One of Earth’s Most Vibrant and Delicate Ecosystems
5. What it is like to land in Hong Kong and try to enter (recommended, short photo essay).