“Not all readers are leaders, but all leaders are readers."
— Harry S. Truman - today 10 million views recorded on MEdia Dragon 🐉
"If you haven't read hundreds of books, you are functionally illiterate, and you will be incompetent, because your personal experiences alone aren't broad enough to sustain you."
- Jim Mattis, Call Sign Chaos: Learning to Lead
The Merton Bistro, located inside The Merton Hotel in Rozelle (a short walk from the St Joseph’s Genesian Theatre), is widely celebrated for serving arguably the best goat curry in Sydney. Foodies and reviewers praise the rich, multi-layered flavours and melt-in-the-mouth tenderness. The Goat is from farm at Dorrigo.
Genesian Theatre, 2B Gordon Street, Rozelle, New South Wales
Step into 1930s Alabama where the trial of a young Black man accused of a terrible crime shakes a seemingly peaceful town to its core.
Through the eyes of Scout, Harper Lee’s Pulitzer Prize-winning classic comes alive on stage in a moving story of prejudice, compassion and the fight for justice.
Anchored by the quiet strength of Atticus Finch, this timeless tale still speaks powerfully to the world we live in today.
Barry Nielsen as Atticus Finch
Barry came late to the stage after attending The Actor's Centre. He has appeared in numerous plays, commercials and short films.
Highlights are "Speaking in Tongues", the triple-gendered role in "Sylvia" and one of three in "Complete Works of Shakespeare". He was the narrator in last year's Genesian production of
"Side by Side by Sondheim".
Barry is no stranger to the theatre - he has been on the board of the theatre for many years, and incredibly proud of our new home in Rozelle.
CODA: Piece of history Buz worked at NSW Bear Pit … Parliamentary Library in 1980s Dr Cope employed him for two years
In 1986 my neighbour from Bellevue Hill Sonya Todd went to Bratislava - Czechoslovakia with Strictly Ballroom
To Kill a Mockingbird Adaptor: Christopher Sergel Director: Theo Hatzistergos
Harper Lee’s celebrated 1960 novel To Kill a Mockingbird, set in the fictional town of Maycomb in 1930s Alabama and faithfully adapted by Christopher Sergal, has come under some severe revisionist criticism. However, by drawing the audience into the stagnating world of Maycomb, director Theo Hatzistergos encourages reflection on the parallels between the harsh realities of prejudice, inequality and social injustice in the play and our own disturbed and disturbing times.
Basically a traditional coming-of-age story, the action is triggered by the appointment of lawyer Atticus Finch (Barry Nielson) to defend Tom Robinson (Ibrahim Conteh), a black man, against the charge of the rape of Mayella Ewell (Courtney Miller), a white girl. Atticus’s teenage children, Jem (Reuben Hann) and Scout (Brigid Jeffries), begin to receive some flack at school and events that follow cause them both, especially Scout, to question the values of reason and empathy she has learned from Atticus.
Her innocence is at the heart of the play. When her father is confronted by a mob intending to kill the imprisoned Tom, one of the men is recognised by a bewildered Scout as Mr Cunningham, who previously brought a bag of winter greens to the Finch household to honour a debt. Innocently, she presses him to acknowledge her, and her insistence forces him to acknowledge himself and feel ashamed. At issue is whether Scout will lose her cheerful hopefulness, the symbolic song of the mockingbird, after she witnesses her father and truth defeated in the courtroom.
Scout is given support by wise neighbour Miss Maudie Atkinson (Sarah Marie Stubley), who holds similar values to Atticus. Important to the play in her role as narrator, giving unity to what otherwise would be fragmentary, Maudie’s reflections on life in Maycomb bring some of the warmth of feeling that gives Lee’s novel its charm. Her character is possibly a foreshadowing of a future Scout, or Jean-Louise, as Scout becomes at the close: observant, witty, sometimes sharpish, able to see both the positive and negative sides of Maycomb, and of the world in general. If so, Atticus is not defeated.
Initially, the thoughtful staging, costuming and not always consistent Southern accents make it seem as if we are watching a period piece and congratulate ourselves on living in a more enlightened time. However, strategies like having the actors often enter and exit from the auditorium, and the use of overhead vocal responses, create the impression that the audience are implicated in the action. Gradually, the parallels between our own world, riven as it is by racial prejudice, mental health problems, a hardening of class lines and legal justice being the prerogative of the rich, emerge. We are placed in the position of the young Scout, coming to understand that the way of life we thought of as decent and fair is, in reality, neither.
It was a church, a theatre and gave Baz Luhrmann his start. Now it’s Sydney’s latest nightclub
This former church in Sydney's CBD is transforming into a nightclub and performance space
If You Read Nothing Else Today, Read This….
We trip over our tongues to have a say, but most of what we say is pure rubbish. Just saying
I’m going to promote this story for a simple reason: he’s spot-on, dead right:
I don’t often produce material solely for Medium any more, mostly just on my own website and on other channels. However, Pete’s piece really struck a chord with me for a variety of reasons.
I’ll give just one example. I rarely comment on Linked In, limiting my engagement to posting articles. However the other day I stuck my idiot foot in my mouth when I put something up about being “porous,” a comment about how important it is for us to be open to new experiences and thereby constantly be reminded of how little we actually know.
A few days later I got a note from a very intelligent woman on Linked In who apologized to me- read that again- apologized to me for others’ ill-handling of that comment. Curious, I went back. Sure enough, adult children minus most of their brains did precisely what Pete talks about in his article.
One accused me of using my “cute travel experiences” to make a point. Such trash doesn’t deserve a response.
I sent the kind intermediary a respectful thanks. Her kind of online behavior is rare and deserves to be acknowledged.
I deleted my comment, and didn’t bother to read the others. I am tired of being reminded of the general lack of manners, widespread stupidity and behavior that would get most people kicked out of a pigsty...
You can also read some public letters. Explore the site here, circa 2006.
Sunflower Glass Studio (based in New Jersey) merges four distinct glass-making traditions into singular fine art panels; fusing vibrant, layered flora created through high-heat kilning, hand painting intricate fauna using traditional medieval techniques, beveling and stained glass construction.
Fresh off a 25 hour trek from London to Sydney on my favourite airline (Qatar – KRC February 20, 2024) reminded me I’ve been watching some interesting stuff recently (I’m in the middle of a seven week, four continent ‘Never Ending Tour’).
- Four great sports documentaries from Netflix and their Untold UK series – Vinnie Jones, Liverpool’s Miracle of Istanbul, Jamie Vardy and Ronaldhino. And …
- The Bus. The 2010 World Cup scandal – made even more fascinating by spending a day last week in Newport with one of the French players in the middle of the fracas in that tournament – Florent Malouda – their only goal-scorer in South Africa.
- The real story on which Succession was based. Another Netflix doco – Dynasty: The Murdochs.

- Legends. Outstanding drama from Netflix. A UK series which feels authentic, tense, and bloody real. Great performance from Mancunian Steve Coogan and another favourite of mine – Tom Burke (Strike).
- The Cage. Brilliant drama from Lancaster’s own Hilary Martin. On BBC. Real, authentic Northerners!
- Marcella – Netflix. I missed this first time round. Three series. Dark, intricate, complex. British / Nordic Noir crime. Riveting.
- Nemesis. Crime, heist thriller. Worth sticking with. Slow start but picks up. If you liked The Wire (I did), then this is worth a look.
- And three old favourites:
- Dutton Ranch on Paramount US. Rip ‘n Beth ride again.
- Berlin and the Lady With an Ermine. Prequel to Casa de Papel and Berlin and the Jewels of Paris.
- Peaky Blinders. The Immortal Man. The movie.
And a couple of shows I’m planning to watch this week:
- Nicolas Cage in Spider-Noir on Amazon Prime.
- Criminal Record on Apple.
Happy Viewing.
Artists and writers argue scrappy nature of self-published booklets is incompatible with artificial intelligence. ‘They’re supposed to be handmade’: zine creators fight to resist AI influence.
Read the full article in The Guardian here. And if you’re inspired, here’s a counterculture crash course in how to make a zine.
A reminder to bring a metal detector on hikes:
The Saddle Ridge Hoard is the name given to a hoard of 1,427 gold coins unearthed in Northern California in 2013. The face value of the coins totaled $27,980, but was assessed to be worth $10 million. The hoard contained $27,460 in twenty-dollar coins, $500 in ten-dollar coins, and $20 in five-dollar coins, all dating from 1847 to 1894.
Following the initial discovery of the coins, there was widespread speculation that the hoard represented the discovery of the 1901 theft from the San Francisco Mint by employee Walter Dimmick. Other disregarded theories contend that the hoard is a hidden stash of gold buried by Jesse James, or loot taken by Black Bart, who was known for robbing stagecoaches. A theory has also been advanced that the hoard was part of a treasure supposedly hidden by the Knights of the Golden Circle, to be used to fund a second Civil War. The predominant theory attributes the cache to an unknown individual who chose to bury the coins rather than trust the banks to protect his wealth. While the couple who found the coins have remained anonymous and the location of the find is undisclosed, several individuals have attempted to claim the gold coins or a share of the profits, asserting that the money belonged to one of their relatives or associates.
Found on Wikipedia and National Geographic.
On Oversocialization Idle Rambler
Why Are Men So Bad at Making—and Keeping—Friends? Derek Thompson






