Monday, March 23, 2026

Electronic Surveillance Under Scrutiny as Trump Targets Left Wing Groups as “Domestic Terrorists”

“For the first time, journalists and researchers have a searchable directory of over 1,500 of the world’s knowledge repositories. The new publication is from Newsjunkie.net, the data-journalism resource known for its “Who’s Behind the News” reporting


 “Pay enough, and you can jump to the front of the queue for almost anything.” Concierge Nation: Welcome to White-Glove America. “Exclusivity — even if it comes at the cost of social cohesion — is the business model.”



Electronic Surveillance Under Scrutiny as Trump Targets Left Wing Groups as “Domestic Terrorists”

SpyTalk: “FEW NATIONAL SECURITY DEBATES HAVE RILED UP AMERICANS more than the permission Congress has given the government to eavesdrop on their private emails and phone calls. The legislation that gave these intrusive powers to the likes of the NSA and the FBI is up for renewal later this spring, and signs are that it will face a bumpy road to passage by Congress. The issue has taken on additional freight because President Trump has ordered the departments of Justice, Homeland Security, Treasury and the IRS to explicitly target left wing groups for investigation, labelling them “domestic terrorists.” An authority that had its beginnings in retooling legislation for the war on terror, Section 702 of the Foreign Surveillance Intelligence Act (FISA) was one of the many policies that traded liberty for security. Now, in its fourth major vote on renewal, uncertainty surrounds its future—as many argue it should. 


A little history is in order here. In 1978, following revelations that the National Security Agency had illegally eavesdropped on civil rights and antiwar activists, Congress passed the Foreign Intelligence Surveillance Act (FISA), which required the government to get warrants from a new, secret federal court to electronically monitor people in the U.S. who were suspected of being agents of foreign powers. Fast forward to the shocking al Qaeda attacks on New York and Washington on Sept. 11, 2001. In a panic, the George W. Bush administration summarily tossed aside FISA guardrails in the name of national security. 


In a secret program code-named Stellar Wind and authorized by President Bush, the NSA conducted warrantless surveillance of the electronic communications of Americans. Once the existence of Stellar Wind was revealed, top law enforcement officials, including Deputy Attorney General James Comey and FBI Director Robert Mueller, concerned that it was illegal, threatened to resign unless the program was replaced with a lawful substitute…”

War and Peace and Fraud - Red and Blue States Are Growing Further Apart on Income Tax

Measure what is important: instead of giving importance to what is measured


The awards highlight storytelling with data, focusing on projects with measurable public benefit, such as AI-driven fraud detection, marine-debris initiatives, and geospatial grant allocation tools.


Last week’s APS Data Awards proved data isn't just spreadsheets, it's storytelling. From disease graphs to cinema stats, the best communicators make numbers stick. Thanks Australian Bureau of Statistics and congrats to the finalists.

Speech: Napoleon War - The Best Charts Ever Drawn - POSTED BY ANDREW LEIGH 2SC ON MARCH 18, 2026 The Hon Andrew Leigh MP


Carte figurative des pertes successives en hommes de l’Armée française dans la campagne de Russie en 1812-1813”, is a graphical depiction of the losses of French Army during Napoleon’s ruinous invasion of Russia of 1812-13, (cf. War and Peace by L.Tolstoy) drawn in 1869 by Charles Joseph Minard, a former French alien civil engineer 



Combatting fraud through private and public sector data sharing with Australian Financial Crimes Exchange (AFCX) – Australian Taxation Office - TJF - Winner


Over the past 50 years, nearly every dystopic movie and literature like 1984 portrayed a 100%-surveilled society where the people at the top control everything using AI and such. And here we are, actively making that future an inevitable reality now. Great job society.

Palantir Story


“The US is hurtling towards autocracy at a faster rate than Hungary and Turkey”. The Varieties of Democracy Institute: “Our data on the USA goes back to 1789. What we’re seeing now is the most severe magnitude of democratic backsliding ever…”


Exposed: How Debt Became the Tool the Wealthy Use to Drain Workers’ Income Egberto


4,000 Meatpackers Strike in Colorado at Brazilian-Owned JBS Mike Elk


Americans Should Have a Right to Full-Time Work New York Times Note the re-write of the headline.



WSJ: Red and Blue States Are Growing Further Apart on Income Tax

Richard Rubin & Jeanne Whalen (WSJ): Red and Blue States Are Growing Further Apart on Income Tax

GOP-led states are looking to entice new residents with lower taxes, while Democratic-led states seek higher taxes on top earners to shore up budgets and social services


Washington State Legislature Approves Millionaire’s Tax

Tax Notes: Washington Legislature Approves Millionaire’s Tax

Washington lawmakers have approved a new income tax on millionaires, securing a key legislative victory for progressive tax reformers



DOJ clears way for government to hire technologists still connected to private sector employers

NextGov/FCW – “The Justice Department issued an opinion last week authorizing the Trump administration’s plan to allow employees from tech companies to work for the federal government while remaining employed by their companies and keeping their not-yet-vested company stocks.


The Removed DOGE Deposition Videos Have Already Been Backed Up Across the Internet

Follow-up to $21.7 Billion Blunder: New PSI Report Reveals Billions in Taxpayer Dollars Squandered by DOGE – 

See Also 404 Media[no paywall] – “The DOGE deposition videos a judge ordered removed from YouTube on Friday after they had gone massively viral have since been backed up across the internet, including as a torrent and to the Internet Archive. The videos included DOGE members unable or unwilling to define DEI; discussing how they used ChatGPT and terms such as “black” and “homosexual” to flag grants for termination but not “white” or “caucasian,” and acknowledgements that despite their aggressive cuts they failed to achieve the stated goal of lowering the government deficit…The news shows the difficulty in trying to remove material from the internet, especially that which has a high public interest and has already been viewed likely millions of times. It’s also an example of the “Streisand Effect,” a phenomenon where trying to suppress information often results in the information spreading further.

DOGE deposition videos in Depositions for MLA-ACLS-AHA Lawsuit About the NEH,” the title of the pageon the Internet Archive reads. The page says the files were uploaded on Saturday. On the Data Hoarder subreddit, multiple users said they had downloaded a torrent of the videos. Once a torrent of files has been shared, it becomes much harder to fully delete off of the internet because its distribution has been decentralized. 404 Media verified that the torrent did contain the DOGE deposition videos…”

 

Pete Recommends – Weekly highlights on cyber security issues, March 14, 2026 – Privacy and cybersecurity issues impact every aspect of our lives – home, work, travel, education, finance, health and medical records – to name but a few. On a weekly basis Pete Weisshighlights articles and information that focus on the increasingly complex and wide ranging ways technology is used to compromise and diminish our privacy and online security, often without our situational awareness. Five highlights from this week: Scammers Stole Their Retirement Savings. Then the Tax Bill Arrived; Meta’s AI Deepfake Detection System Fails the Test; Administration for Strategic Preparedness and Response releases cybersecurity module; Tech giants break silence on Anthropic; and Pentagon Reportedly Used Microsoft Workaround to Test OpenAI Models, Despite Ban.

Sunday, March 22, 2026

New World Literature Today - March/April

   New World Literature Today


       The March/April issue of World Literature Today, featuring Catalina Infante Beovic is now available; lots to keep you busy with over the weekend -- including, of course, the extensive book review section.

The usefulness of useless knowledge Politicians aren’t the best judges of the merits of scientific research

‘Research shows average front garden size has declined by 46% in areas where older low-density homes have been replaced by larger, modern houses

 ‘Where have all our front gardens gone?’: Sydney’s supersized driveways eat into yards


A calmer approach works better. Slowing down your breath, counting them, or using other relaxation techniques (such as yoga) can help calm the cardiovascular system rather than overstimulate it. Over time, this reduces strain on the heart, which can help you live longer. It's important you aim to do this anytime you're feeling particularly stressed or angry.

You can also boost positive emotions by trying to be more present in your daily life. By staying present, you become more aware of what's happening around you and within you.

Positive - Dick Van Dyke Credits His Longevity to One Habit, And Science Supports It


Popular radio host Robin Bailey has revealed new details about her first marriage in the lead-up to her late husband’s tragic death.

Speaking to QWeekend ahead of the release of her book, she explained that the pair had separated but were “still living in the house together” when she engaged in the affair.

“I’m not making excuses, I’m just explaining … I think everyone should question what their own moral compass is on that,” she said. 

“Because a lot of people have affairs, not everyone’s ends like mine does, but the feelings are the same. The betrayal, the anger. 

“In my space it had dire consequences and I think people will harshly judge me and I think there are a lot of people that will probably see me very differently and that’s their right. But it is the truth.”

Robin Bailey opens up about affair before late husband’s suicide


Kerouac scrolls


       As I mentioned a few weeks ago, among the many things from Jim Irsay's estate going up for auction were two manuscript-scrolls of works by Jack Kerouac -- On the Roadand The Dharma Bums -- and on Friday they sold, both for considerably more than their estimates.
       The nearly 120-foot scroll of On the Road  went forUS$12,135,000 (!).
       As reported by, for example, Rolling Stone it was apparently purchased by entertainer Zach Bryan. 
       The Dharma Bums scroll -- only 61 feet long -- went forUS$1,651,000. Irsay had only purchased this in 2023 -- from Sotheby's; see their page for more illustrations of it. 

       Scroll-manuscripts seem to fetch good prices -- recall that the Marquis de Sade's The 120 Days of Sodom -- an 11.85 meter long scroll -- was bought by the French government in 2021 for €4,550,000.


The usefulness of useless knowledge Politicians aren’t the best judges of the merits of scientific research


The great number theorist GH Hardy would probably have disagreed with the label “great”. In his book A Mathematician’s Apology, he admitted: “I have never done anything ‘useful’. No discovery of mine has made, or is likely to make, directly or indirectly, for good or ill, the least difference to the amenity of the world.” He added that he had trained other mathematicians “of the same kind as myself, and their work has been . . . as useless as my own”.
Since Hardy was writing in 1940, there was a touch of the humblebrag about this claim. Chemist Fritz Haber had created chemical weapons for use in the first world war. Engineers had produced artillery, tanks and strategic bombers. Oppenheimer and the other physicists would soon create the atomic bomb. There was a comfort in Hardy’s protestations of uselessness — but perhaps a false comfort.
In the 1970s, some basic ideas in supposedly useless number theory were deployed by Ron Rivest, Adi Shamir and Leonard Adleman. They developed the RSA algorithm, which enables public key cryptography, without which there would be no ecommerce. Cryptography is hardly valueless to the military, either. One never knows when useless knowledge will be useful after all.
Hardy’s number theory was not alone in being accidentally useful. In a famous article published around the same time — “The Usefulness of Useless Knowledge”(1939) — the head of Princeton’s Institute for Advanced Study, Abraham Flexner, made the case for apparently useless research. Flexner started with the radio and the radio telegraph — remarkable inventions for which many people thanked Guglielmo Marconi, the Nobel Prize-winning engineer. 
Flexner argued that the “real credit” should go to James Clerk Maxwell and Heinrich Hertz, who had done the fundamental research. “Neither Maxwell nor Hertz had any concern about the utility of their work,” wrote Flexner, adding that Marconi contributed “merely the last technical detail . . . now obsolete”. 
Some more recent examples have been gathered by the American Association for the Advancement of Science for its Golden Goose awards. Ten years ago, the awards recognised the Honey Bee Algorithm, which began with biologists painting tiny numbers on the backs of chilled (and thus immobile) bees, and then tracking the individual bees to figure out how they contributed to the hive’s search for nectar. Why? Because they wanted to know.
A couple of engineers became intrigued, figuring that maybe the bees had evolved a smart mechanism which the engineers might use to . . . well, do something. Perhaps they could use it to smooth the flow of traffic or suchlike. The bees had indeed evolved a clever approach, but the engineers couldn’t work out how to use it. 
Finally, a computer scientist (Oxford, IBM) got in touch with the engineers, speculating that he had a problem to which they might have a solution. He was right. The honey-bee foraging system was adapted to spread viral and ever-shifting internet traffic across many different servers. 
The Golden Goose awards also recognised the microbiologists who poked around in the geysers of Yellowstone Park to understand how some bacteria managed to thrive at very high temperatures. The scientists discovered heat-resistant enzymes — polymerases — that could survive near boiling point. This, quite unexpectedly, paved the way for the polymerase chain reaction — a way of amplifying genetic information made all too famous by the PCR test of Covid-19 fame, but one which has many other applications.
The Golden Goose awards do not exist in a political vacuum: they are explicitly designed to showcase the unexpected benefits of federally funded research in the US, and were meant as a rebuke to the earlier Golden Fleece awards, in which US senator William Proxmire would mock what he considered wasteful government spending — often on strange-sounding scientific projects.
Proxmire was not wholly wrong: some government projects are a waste of money, and some academics produce research of little value. But the lack of value is generally not because the research is “useless” but because the research is sloppily or even fraudulently done. Superficially interesting claims congeal on the surface of a steaming vat of confusion. 
Unfortunately, politicians are not well placed to venture an informed opinion on the value of scientific research. The fact that research sounds silly or strange is no guide to its value. My own hunch — and it is just a hunch — is that it’s the research that seems obviously useful that is most likely to be polluted by bad science. The merely odd, purely curiosity-driven research is less likely to be tainted. Incestuous as it might seem, the people best placed to hand out funding for basic scientific research are other scientists.
This is not to say that society should just write a blank cheque to researchers. There are plenty of useful ways to guide scientific research.
One possibility is the use of innovation prizes, where funders specify a goal, and research teams are rewarded for achieving it. Examples range from the longitude prizes of the 18th century to the advanced market commitments that have been used to subsidise vaccine doses in the 21st century. Darpa’s grand challenge of 2004 and 2005 helped jolt life into the field of autonomous vehicles for a few million dollars in prize money.
Another possibility is to explicitly favour long-shot research with a high chance of failure but a real prospect of creating a major breakthrough. The economists Pierre Azoulay, Joshua Graff Zivin and Gustavo Manso compared grants made by the Howard Hughes Medical Institute against the more cautious approach of the National Institutes of Health. They found that both organisations got what they were asking for: a higher success rate for the NIH, and a mix of failures and breakthroughs for the HHMI. 
A healthy scientific ecosystem needs both. And perhaps most of all it needs the odd-sounding, curiosity-driven research that no venture capitalist would dream of funding. The Nobel Prize-winning physiologist Archibald Hill once gave a public lecture at which a grumpy member of the public challenged him to explain what possible practical value there might be in his research.
“To tell you the truth,” replied Hill, “we don’t do it because it is useful but because it’s amusing.” That’s the spirit.
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Scriptwriter Peter Schrek, the Inverell connection behind many Australian film productions

 Peter Schreck - Czech Film compiled a list of achievements



A former Inverell boy has written one of the most anticipated TV dramas in years, Blue Murder – Killer Cop, a sequel to the landmark 1995 series. The two-part drama, written by Inverell High School graduate, class of 1959, Peter Schreck, picks up the events in the life of notorious former policeman Roger Rogerson, and stars Richard Roxburgh.
“Even before high school, even as a primary school student in Warialda, I wanted to become a professional writer. But it seemed an impossible dream,” he said. Mr Schreck now lives at Balmoral Beach, in Sydney’s Mosman area, with somewhere between one and two hundred hours of produced film and television writing credits to his name.  He’s lost count.
“But it all started in Inverell,” Mr Schreck said. “Just last night I heard a young woman use the phrase, ‘You have to see it to be it’. She was talking about the effect on her, and on her aspirations, of seeing Julia Gillard become Australia’s first female Prime Minister.” 
“For me,” Mr Schreck said, “it was an old guy, a civil engineer, who came to town to supervise the construction of the Inverell Baths. I was doing my final year of high school, dreaming of becoming a writer and assuming it would be impossible. 
“I was boarding with a pensioner lady named Mrs Jenkins. I’m not sure where, exactly, but probably down in Henderson St.”  
“Anyway, this old guy came to stay with Mrs Jenkins. I wish I could remember his name, given the effect he had on my life.  He was an engineer, but his real passion was writing short stories for fishing magazines. 
“I watched him write them, I read them, I saw them published.  As that young woman said last night, I had seen it – and now I knew I could be it.”
After graduating from high school, aged 17, Schreck hitched a ride to Sydney, lived in a converted garage, and got a job in advertising so he would be paid while learning to write. 
He switched to full time freelance screenwriting in his late twenties and since then he has won five Australian Writers’ Guild AWGIE awards, including the Gold AWGIE for the best screenplay in any category, and an Australian Film Institute AFI award.  His writing credits stretch all the way back to Homicide.  
He wrote the feature films We of the Never Never and Coolangatta Gold, he jointly produced and story-produced the series Young Lions, he wrote the bible for and co-created the television series Man From Snowy River and wrote episode one.  
He wrote episodes one and two of the series Police Rescue, and he co-developed and wrote episodes one and two of Wildside, which won an AFI award for best mini-series.
Mr Schreck is currently writing a feature film set in Afghanistan for Tristram Miall, who produced Strictly Ballroom.
His most recent work is Blue Murder – Killer Cop, based on the life of NSW police detective Roger Rogerson, a poster boy of good policing who came to notoriety after alleged crimes. Convicted of the murder of Sydney student Jamie Gao during an alleged drug deal, Rogerson has always protested his innocence. 

Q and A:

You wrote Blue Murder.  If your upbringing in Inverell were a colour, what colour would it be and why? 
Tough question, and I probably can’t answer it – unless sunshine has a colour. Maybe yellow. Whatever the colour, they were happy times. Formative years.
What was it like for you growing up in Inverell and how did it affect your writing? 
I did a lot of my growing up on a farm out near Graman – that was the part that had the biggest effect on my writing.  I talked about this one time with another writer, Bob Ellis, who pointed out that a lot of the successful writers we knew had country backgrounds.  It makes sense.  If you spend ten or twelve hours a day as a kid, going around and around a ploughed paddock on a tractor, you either develop a rich inner life or you go crazy with boredom.  Those hours were money in the bank for me.  I’m probably still drawing on them.
Is there something that audiences in Inverell would particularly appreciate in Blue Murder? 
I hope not just in Inverell.  Everything I write, I try to find the humanity in it – the human condition that applies to everyone, everywhere - even if I’m writing about a convicted murderer like Roger Rogerson, a man who killed at least three people, with rumours of others.  When Mike Jenkins, the Director, first approached me to do this project, there was talk about Rogerson being a psychopath.  I rejected that at the outset.  I mean, maybe he is a psychopath – but for dramatic purposes, that’s boring.  It doesn’t tell me, or the audience, anything at all about the universal human condition.  There was a Roman writer twenty six hundred years ago, a slave, called Terence, who said, “Nothing human is alien to me”.   That has to be true for every writer, and so I had to find some Roger in me, and I had to find the humanity in Roger.  I hope I did – but the audience will decide if I was successful. 
What are the difficulties when writing a sequel to such a successful miniseries, one of the best shows in Australian TV history?
It was scary.  You’re right, the original Blue Murder still stands as a benchmark in Australian television, and it’s a high bar. Mike Jenkins directed that as well, and we’ve worked together a lot over the years, including on Wildside, and that used some of the same techniques. But the original Blue Murder relied on very high energy, hand-held violence, compressed into just a couple of years – the energy of a young, corrupt detective.   In this mini-series we’re spanning over thirty years and Rogerson becomes an old man.  He still has that same lethality to him – one journalist I spoke to told me that when he first interviewed him thirty five years ago, Roger pinned him with his eyes and the hairs on the back of the journo’s neck still stand up a bit when he thinks about it.  So Roger has the lethality, but Mike and I decided it would be silly to try to copy the exact energy of the first Blue Murder when we’re dealing with a thirty year timespan and an older man.  We’re relying on a different ‘glue’, and for me that glue is the humanity of striving, the nobility of endurance and defiance.  Sounds crazy, talking about nobility when I’m writing about a multiple killer. But he’s also human.



Peter Schreck - Grokipedia

Peter Schreck is an Australian screenwriter and producer known for his extensive contributions to Australian television and film over several decades. [1]Born in 1942 in New South Wales, Schreck has written scripts and stories for numerous notable television series, including Police RescueThe Flying DoctorsG.P.WildsideYoung Lions, and Heartbreak High[1] He has also served as a producer and script editor on various projects, such as producing episodes of Young Lions[1]Among his feature film credits is the screenplay for We of the Never Never (1982). [1]His career spans from the 1970s onward, encompassing drama series, mini-series like Blue Murder: Killer Cop, and other works that reflect his involvement in Australian screen storytelling. [1]

Early life

Birth and background

Peter Schreck was born in 1942 in New South Wales, Australia. [1] [2]Publicly available biographical information about his early life remains extremely limited, with reliable sources providing no confirmed details on his family, childhood, education, or pre-professional activities. [1]This scarcity of personal background details is consistent across major film databases and Australian screen industry references, which focus primarily on his later contributions as a writer rather than his formative years. [1]

Career

Early career (1970s–early 1980s)

Peter Schreck began his career in the Australian television industry in the early 1970s, initially contributing as a writer to episodic series. He wrote three episodes of the science fiction series Phoenix Five in 1970, marking his entry into screenwriting. [1] He then transitioned to script editing on the crime drama Ryan, handling eight episodes from 1973 to 1974 during his time with Crawford Productions. [1] This role allowed him to refine his understanding of script development, story pacing, and character dynamics in ongoing television formats.These early television experiences in writing and script editing formed the foundation of his professional development and positioned him for opportunities in feature film screenwriting during the 1980s. [1]

Feature film screenwriting (1980s)

In the 1980s, Peter Schreck contributed screenplays to two Australian feature films.[3]He adapted Jeannie Gunn's autobiographical novel for We of the Never Never (1982), directed by Igor Auzins, a 136-minute romance set in the early 20th-century outback.[4] The film follows a woman who endures hardships and dangers while earning the friendship and respect of her community.[4]Schreck also wrote the screenplay for The Coolangatta Gold (1984), which centers on two brothers—one a promising athlete and the other an underdog—competing in a demanding contest.[3] These projects represented Schreck's shift toward feature film screenwriting during the decade before his return to television work.[3]

Television writing peak (late 1980s–1990s)

During the late 1980s and 1990s, Peter Schreck established himself as one of Australia's most prolific television writers, contributing scripts to numerous drama and procedural series that defined the era's local broadcasting landscape. [1] His work during this period focused on character-driven stories within medical, police, and rural settings, showcasing his versatility in long-running formats and earning him five Australian Writers' Guild (AWGIE) awards, including a Gold AWGIE for best screenplay in any category, as well as an Australian Film Institute (AFI) award. [3]Schreck began the phase with contributions to The Flying Doctors, writing 3 episodes between 1986 and 1991. [1] He then wrote 4 episodes for the acclaimed police rescue drama Police Rescue (1989–1996). [1] [3] He became a major contributor to G.P., penning 8 episodes from 1991 to 1994 for the medical soap opera. [1] In the mid-1990s, he wrote 2 episodes for Snowy River: The McGregor Saga (1993–1996), adding to the family-oriented rural saga. [1]Schreck's output continued into the later 1990s with 4 episodes for Wildside (1997–1999), where he provided story contributions alongside scripting duties. [1] [3] He also wrote single episodes for other series such as Heartbreak High in 1995 and Fire in 1996. [1] This prolific period solidified his reputation for delivering reliable, engaging scripts for Australian television's procedural and ensemble dramas. [3]

Later career and production roles (2000s–2010s)

In the 2000s, Peter Schreck shifted toward greater involvement in production roles alongside his screenwriting, most notably on the television mini-series Young Lions (2002). He wrote four episodes and served as script producer for 22 episodes while also credited as producer for the project. [1] In the same year, he wrote one episode of the series White Collar Blue[1]His subsequent output was more limited and focused on select projects. He wrote the short film The Last Race in 2011. [1] In 2017, Schreck contributed the screenplay for both episodes of the two-part television mini-series Blue Murder: Killer Cop, which revisited the later life of former detective Roger Rogerson over a thirty-year span. [5] [3]These credits reflect a continuation of his thematic interest in crime and police drama, though with a reduced pace compared to earlier decades and an emphasis on mini-series formats. [3]

Awards and recognition

Major awards and nominations

Peter Schreck has received recognition for his screenwriting through awards and nominations in Australian film and television. He won the Australian Film Institute (AFI) Award for Best Screenplay in a Television Drama in 1991 for the series Police Rescue.[6] Schreck also earned a nomination from the AFI in 1982 for Best Screenplay, Original or Adapted for the film We of the Never Never.[6]Additionally, he was awarded the Major AWGIE Award by the Australian Writers' Guild in 1989 for the television original "The Soldier Settlers".[7] These honors reflect his contributions to drama writing, particularly in television formats during the late 1980s and early 1990s.