Sunday, June 28, 2026

Genesian Theatre / It was a church, a theatre and gave Baz Luhrmann his start. Now it’s Sydney’s latest nightclub

Piece of history Buz worked at NSW bear Pit … Parliamentary Library in 1980s Dr Cope employed him for two years 

In 1986 my neighbour from Bellevue Hill Sonya Todd went to Bratislava - Czechoslovakia with Strictly Ballroom 


Killara - Luncheon Green Gate Hotel  


Dinner with Katka Centennial Park


It was a church, a theatre and gave Baz Luhrmann his start. Now it’s Sydney’s latest nightclub




Jethro Massey walked into my shop last week and told me about his movie, which he said was partly inspired by some articles he’d read right here on my blog. His film was rejected by Cannes and yet won a prize at the Venice Film Festival. I loved it, and not because I recognised so many stories in its. For a film that so beautifully and imaginatively showcases Paris, I couldn’t understand why he’s been unable to find proper distribution for the film, save for a few special screenings. I highly recommend this singular film, and if you’re in a position to help its distribution, do get in touch!


Wine-tasting isn’t something most people would associate with running, but one marathon proves that they can go hand-in-hand. The Marathon du Medoc route takes thirsty runners through Bordeaux’s vineyards and châteaux. As well as the usual water stations, runners can pick up high-calorie snacks – foie gras, cheese, oysters – and sample the region’s wines en route.

Start training for the September 5th Marathon du Medoc in Bordeaux, France


Open that Bottle Night encourages people to finally open a special bottle of wine they’ve been holding onto. Read up on the history, courtesy of Chris Glass.


Try out Brik.Space. A recommendation from Swiss Miss.


SPEAKING AS WHAT LIBRARIANS AND PUBLISHERS CALL AN “ESCAPE READER,” THAT’S GOOD NEWS FOR ME: Getting Lost in a Novel Is Actually One of the Best Things You Can Do for Your Brain.



 Scientists begin first trial to reverse human aging


Inside Castel Béranger, one of Paris’s great Art Nouveau buildings, a restored 635 ft² apartment has come to market with Sotheby’s for €1,198,000.


The tea in your kombucha changes more than just the taste Science Daily 


A philosopher’s 5 tips on how to become the most likeable person in the room Big Think


Václav Havel Library And Kundera

Words left behind, carried forward by others


It is hard to tell who was more crazy me or everyone else …


"Books are many things: lullabies for the weary, ointment for the wounded, armour for the fearful and nests for those in need of a home."

- Glenda Millard.


Books don't just go with you. They take you where you've never been


Not just books - how renting a sewing machine from the library can improve democracy


Record breaking heat in Bohemia


America vs Europe: Two Ways to Build a City


Václav Havel Library


       Via I am pointed to Jules Eisenchteter's piece at expats.cz explaining Why Prague’s Václav Havel Library is on the verge of collapse
       It sounds like quite the mess, and is of course unfortunate; the library has done good work and obviously there's great potential here. (Still, anything personality-focused, such as this obviously is around Havel, is, of course, problematic.)
       Current (and relatively new) director Tomáš Sedláček apparently has ... ideas:
Sedláček, a vocal critic of the “Prague café” scene he felt had monopolized the legacy of the playwright-statesman, had vowed to shake things up at the library by using AI tools to streamline operations and run the institution with a leaner staff, as well as launching a public, “Eurovision-style” competition for artists to design a new symbol of freedom.
       One hopes they figure things out.








Kundera in Brno


       The ashes of Milan Kundera (The Curtain, etc.) and his wife have been laid to rest in a tomb in Brno -- taking: "the last vacant spot in the circle of honor at Brno’s Central Cemetery" --; see, for example, Jack Stephens' report at Brno Daily, Milan Kundera and His Wife Laid To Rest In Brno's Central Cemetery or the official Brno city press release

       Lots of pictures in the official photo gallery, including of the top of the "levitating" lid of the tomb designed by Johannes Paar being lowered -- as well as the two urns in place before they were covered up




       Slavenka Drakulić (1949-2026)

       Croatian author Slavenka Drakulić has passed away; see, for example, the report at Vijesti. 

       Quite a few of her works have been translated into English; see, for example, her author page at Penguin Random House, or the Harper Perennial publicity page for How We Survived Communism and Even Laughed.



Human brains were not designed to deal with an endless supply of bad news. “We are the same species as we were thousands of years ago. What’s changed is the size of the world it’s asked to scan for threats.”

Trump’s power is waning. But is Trumpism here to stay?

Trump’s power is waning. But is Trumpism here to stay?

As a war-damaged president faces midterms, a battle looms for the future of US conservatism that the hard right is well placed to win 


 US President Donald Trump’s shadow during a meeting of the National Governors Association 

By Edmund Fawcett


Nobody could call it an anniversary mood. As Americans celebrate their country’s 250th birthday, more than half, in a recent poll of polls, think it is headed in the wrong direction, while Donald Trump’s approval ratings have been hitting all-time lows. There is little love for the Democrats either. But one thing is sure: Trump will soon be a lame-duck president.
Even his grip on the party is loosening. He can still punish dissent by running primary opponents against incumbent Republicans, as Senator John Cornyn of Texas learnt last month. Yet four Republican senators voted with Democrats this week to pass a war powers resolution intended to rein in the president’s authority to resume hostilities against Iran. If Tucker Carlson, a former loyalist, is to be believed, the war has cost Trump much Maga support.
Democrats may win the House and possibly the Senate in November. Even if they do not, attention will turn to Trump’s likely Republican successor and to what kind of Republicanism follows: the milder sort, now dim to memory, able to work with liberals and progressives? Or the illiberal, hard-right kind to which Trump has given loud, if erratic, voice?  
The American hard right was there before Trump and will be there after he has gone. What remains uncertain is whether it continues to dominate American conservatism or retreats to the margins, where it sheltered from the 1930s to the 1980s. Over-rosy pictures of the US past foreground recent inclusiveness, openness and multilateralism. Victory in righteous war and success at righting social wrongs frame a hopeful American self-image. Yet the hard right’s exclusionary, dog-eat-dog nationalism is in no way un-American. It too is deep in the American grain. Trump’s manner may be unorthodox. The message, when he sticks to it, is unoriginal

Few peacetime presidents, it is true, have matched Trump’s pride in his norm-breaking methods or blatant enrichment of friends and family. His administration does daily damage to lawful due process, familiar habits of government, the health of public argument and US soft power in the world. Improvisational statecraft rewards rivals, affronts allies and baffles the nation. Outsized as he is, however, this is about more than Trump.

Among would-be successors the frontrunner is JD Vance, the vice-president, largely from lack of obvious rivals. Like Trump, he gets attention by insulting foreign leaders and picking fights with them — or trying to, as with the Pope. Before 2024, Vance had won only a US Senate seat (Ohio) with a billionaire’s help. Few policy successes bear Vance’s name. His new book, Communion, calling for religion in public life, is a risky campaign vehicle. 
Marco Rubio, the secretary of state and national security adviser, looked a runner earlier this year as war and foreign intervention put him in the news. It is no record to campaign on. A bare third of Americans approved of the Iran war. Many vice-presidents in the past 50 years have won their party’s nomination to run for president. Only two won the White House.
If Republicans keep the presidency in 2028, will they worsen the wreckage? If Democrats win, will Republicans help or obstruct the repair? Hopeful damage reports on the Trump years note that, unlike the autocratic corrosion of liberal democracy in, say, Russia, Turkey or Hungary, Trump’s administrations did not re-engineer institutions. Corrosion was mostly not encoded in law. A conservative Supreme Court can still say “no” as well as “yes” to the White House. A less hopeful view notes the destructive civic example Trump sets of proudly breaking rules that don’t suit him.

Another way to put the question is whether the Trumpian hard right is a new normal or a self-destructive decadence — a final, self-confirmatory chapter in the “government-is-the-problem” approach to government that took root in the late 1970s? Comforting as it might look, liberals, right or left, are unwise to count on that second, self-destructive outcome

Since thoughtful American conservatives may object that the label hard right is shrill, partisan and inept, some spelling out can help. The hard right is not unique to the US. It is neither new nor extreme (in the party-spectrum sense) but mainstream across much of the liberal democratic world. Its international links are strong.

The hard right is neither united by interests nor coherent in outlook. Local niceties aside, it is everywhere a volatile alliance of global-minded capitalists, nation-minded welfarists and ethico-cultural traditionalists. Globalists want a limited but indulgent state with undemocratic freedom for foreign capital and local jobs to come and go. Welfarists want a caring state that looks after the national people, ignores others and protects the country from poor immigrants. Globalists and welfarists disagree with each other on taxes, regulation, tariffs and immigration. They combine amiably enough with the traditionalists, whose sermons on moral corruption and civilisational decay they mimic or sit through out of tactical courtesy.
Two things, both negative, hold the hard right together. One is angry disappointment at liberal democracy’s failures to lessen the local inequities and insecurities caused by globalisation and technological change. The other is shared targeting of rhetorical villains to blame failures on.  
The hard right calls on five seductive themes, in use on the European and American right for 150 years. First is national decline: economy, culture, moral fibre and international standing are in free fall. Second and third are capture of political and cultural power by the nation’s enemies — those within being liberals who promote greed, “individualism”, godlessness and national shame. Deliverance, fourth, awaits under an anti-liberal leader speaking for the people.  
Tying that together, fifth, is victimhood: for the nation’s ills, neither the people nor its deliverer is to blame. The culprits are liberals, barely part of the nation. Hard-right globalists blame liberals for the post-1945 ballooning of the state; welfarists for post-1980s indifference to people and nation; traditionalists for post-1960s moral confusion, personal indiscipline and social decay.
The US hard right fits the pattern. Its active, vocal elements — backers, organisers, thinkers and publicists — include tech libertarians, old business lobbies, “paleoconservative” traditionalists, nation-first Buchananites, rightwing Evangelicals, conservative Catholics and social-media voices including frank racists (Nick Fuentes) and sub-Nietzschean know-it-alls (Curtis Yarvin). The hard right’s voters include enthusiasts who buy its message (more men than women; regionally, more Southern and Midwestern) as well as “hold-my-nose” Republicans fed up with old Democrat alternatives and doubtful of new ones. 
Hard-right dominance of post-1945 Republicanism took time to build. The inner-party contest set globalist Dwight Eisenhower vs Americanist Robert Taft, liberal Nelson Rockefeller vs anti-liberal Barry Goldwater, status-quo Gerald Ford vs radical Ronald Reagan, and an indistinguishable mix of Republican governors and Washington insiders vs hard-to-place, self-assertive, “I speak for the people” Trump. After Eisenhower, each Republican nominee was more to the right than the losing contenders. All promised to deliver government from its hostile captors. The task seemed the more heroic and urgent as the list of conservative complaints against “big government” grew: high taxes, desegregation, civil rights, affirmative action, abortion, cultural disquiet, over-regulation, woke overkill.
In foreign policy, Trump has improvised too often and gone off script too much for the phrase “Trump Doctrine” to be heard without a hollow laugh. Yet he came to office for his second term with a distinctive and thoroughly American doctrine, drafted by foreign-policy intellectuals of the hard right and styled as a “deliverance” from misguided recent tradition.
Democrats and Republicans after 1945 aligned Americanism, westernism and universalism in an avowedly virtuous trinity. The hard right has reverted to a nation-firstism that takes the US as materially and intellectually defendable on its own. It, too, is an old American tradition, although from a world that long ceased to exist.
From the 1860s to 1930s, a mainly Republican-led US had sky-high tariffs (save for eight years under the Democrat Wilson) and barriers were repeatedly raised against immigrants. After the first world war, Senators Henry Cabot Lodge (Brahmin high-end) and William Borah (Western Populist) killed American membership of the League of Nations. The isolationist right opposed Americans joining the second world war. Afterwards, anti-Nato Taft, who led the Republican right against Eisenhower, tried to block US membership of an alliance it had created. 
Without using the Americanist label, last December’s national security strategy returned to that vein. It scolded predecessors for vainly trying to “control the world”, dropped human-rights promotion and stifled foreign aid. Climate change and net zero got one mention as “disastrous ideologies”. Unilateralism replaced multilateralism: the US will stop working with international organisations that “erode” national sovereignty. 
In Westphalian mode, the strategy acknowledged other dominant players (China and perhaps Russia) in a post-ideological “balance of power”. To the long-forgotten 1823 Monroe Doctrine (warning Europeans not to mess with the Americas), it added a “Trump Corollary”: with force if needed, the US will monitor Latin America to stop mass immigration and drug trafficking. 
Strategic shifts of this kind take decades to prepare and to get “into” the Overton window. It was orthodox on the US right till the 1930s. It will not vanish with Trump’s passing.   
So it is with recent hard-right reflection of a broader kind on the character of conservatism. That, too, took decades to develop. In scholarly voice, it evokes the hard right’s four themes of decline, capture, enemies and deliverance. The modern tradition began in obscurity with Richard Weaver’s Ideas Have Consequences (1948), a cry of dismay against liberal modernity, which he followed with a call to arms, “Rhetorical Strategies of the Conservative Cause” (1959). That speech laid out a Gramscian programme of dialectical warfare against postwar liberalism: sharpen arguments, aim them at vulnerable targets, and mass-produce them in well-financed colleges and think-tanks.
Although long forgotten, Weaver identified two fighting modes: civilisational homily and a march through the institutions. In the first mode, gifted publisher-journalists (William F Buckley Jr), TV hosts-turned-senators (Jesse Helms), Nixon-Reagan speechwriters (notably Pat Buchanan, coiner of “silent majority”) and anti-liberal thinkers (Paul Gottfried) concentrated verbal fire on partisan universities, desegregation, women’s rights and sundry cultural discontents.
In institutional mode, the hard right planted its banner in Washington when the Heritage Foundation opened in 1973. It competed with the centre-right American Enterprise Institute and the neoconservative Hudson Institute before winning power’s ear for itself. Although Heritage has since fallen to internal quarrelling, it wrote the 900-page “playbook” for the second Trump administration, Project 2025. It smoothly combines both of Weaver’s modes: castigation of liberals and careful, well-defended proposals for bills and executive orders.
Weaver’s intellectual grandchildren teach at top universities. They include Patrick Deneen at the Catholic Notre Dame. In Regime Change (2023), he promised downtrodden fellow Americans deliverance by a virtuous, free-market elite from economic neglect and moral oppression. Deneen called that “aristopopulism”, although “clerico-Bolshevism” would do as well.
The Harvard law professor Adrian Vermeule calls for an equally virtuous executive, untrammelled by undue oversight, and for regulation that works for the “common good”, an erudite mix of anti-liberal US constitutionalism and late 19th-century anti-socialist Catholic paternalism. In Against Democracy (2016) the Georgetown University scholar Jason Brennan argued, with a nod to John Stuart Mill in undemocratic mode, that most voters were too ignorant to merit an equal vote with the well-informed. Only they knew which policies would most promote the general welfare. Government, Brennan held, should favour a wise knowledge elite, a system for which he used the neologism “epistocracy”.
You can argue the toss about how wise, numerous or enduring the hard right’s backers were in 2024. Trump’s fans treat the election as a “realignment” — an enduring step-change like 1932, which united working-class Democrats and middle-class liberals, or 1968 and 1972, which consolidated Republicanism in the ex-Democratic white South.

Trump, in fact, won narrowly. He won a plurality, not a majority, of the popular vote. But for 460,000 votes in three key states, he would have lost. Had men, as women once, no vote, his Democrat opponent Kamala Harris would have romped home. As it was, she won 75mn votes, Trump 77mn and close to 90mn either did not or were not registered to vote.
That pattern suggests not electoral realignment but two polarised parties alongside a disaffected and presently unanchored group that senses neither big party has much clue. On what concerns them most, the economy, voters can agree in principle on the US’s underlying strengths — high employment, higher productivity, for example — while reasonably complaining that promised fruits lie ahead. Meantime, they suffer high prices, static wages, poor healthcare and bad public services.

What if Trump’s term ends in tamed inflation, manageable deficits, peace in the Middle East and Ukraine, a new balance among the powers? The Republican hard right can claim “performance legitimacy”: OK, we’re illiberal but we deliver what counts. And if those successes don’t come? The hard right will own the failure. It will be up to Democrats — and to liberal Republicans waking from the dead — to make the hard right pay at the polls. 
Before that, conflict looms between centrist Democrats and progressives drawn to the young mayor of New York, Zohran Mamdani. Everyone fed up with the hard right must hope that despite the left’s love of self-slaughter they unite against a common enemy. And if liberal Republicans join in, all the better. 
For that to be more than a tactical alliance, however, a democratic liberalism needs new grounding. It needs more than a return to the New Deal, Fair Deal or Great Society. You can’t go back. It needs a liberal Richard Weaver pointing to a path for now. Is there one?       
Liberals lack a mobilising picture of liberal democracy’s virtues to match the hard right’s picture of its vices. Like any guiding ideas in politics, those of liberalism are open to dogmatic abuse, academic rarefication, interest-group capture or disregard in practice. Liberal democracy makes a high bid, leaving the gap between promise and performance large, especially now. It doesn’t follow that there must be better ideas to hand or that the performance gap cannot be narrowed. Liberals distrust and demand protection from power, whether the power of the state, wealth or majority prejudice. That is why liberals insist on personal rights and liberties. Liberals expect conflict from society, believe human life can be improved, and ask respect for everyone whatever their status — the democratic seed in an otherwise undemocratic creed.
The hard right cleverly makes those four ideas in themselves sound selfish, unworldly, wet or hypocritical (without explaining how liberals can be all those at once). It is silent on its own counterpart vices: fondness for autocrats, exclusionary pictures of society, wrongful discrimination and groundless pessimism about human prospects. Intellectually and rhetorically, the hard right ought to be an easy target. Liberals give it too free a ride. The hard right’s ideas are thin but rhetorically powerful. In public argument, liberals need less seminar and more martial arts.
Nobody knows what will follow the illiberal Trump show. But a lot will depend on how liberals, both right and left, rethink, resell and defend themselves. 
Edmund Fawcett is author of ‘Conservatism: The Fight for a Tradition’ and ‘Liberalism: The Life of an Idea’
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Saturday, June 27, 2026

Mocking Bird: you only live one life if you don't read'


“Not all readers are leaders, but all leaders are readers." 

— Harry S. Truman - today 10 million views recorded on MEdia Dragon 🐉 



"If you haven't read hundreds of books, you are functionally illiterate, and you will be incompetent, because your personal experiences alone aren't broad enough to sustain you." 

- Jim Mattis, Call Sign Chaos: Learning to Lead



Dinner at Merton


The Merton Bistro, located inside The Merton Hotel in Rozelle (a short walk from the St Joseph’s Genesian Theatre), is widely celebrated for serving arguably the best goat curry in Sydney. Foodies and reviewers praise the rich, multi-layered flavours and melt-in-the-mouth tenderness. The Goat is from farm at Dorrigo.



Genesian Theatre, 2B Gordon Street, Rozelle, New South Wales

Step into 1930s Alabama where the trial of a young Black man accused of a terrible crime shakes a seemingly peaceful town to its core.

Through the eyes of Scout, Harper Lee’s Pulitzer Prize-winning classic comes alive on stage in a moving story of prejudice, compassion and the fight for justice. 

Anchored by the quiet strength of Atticus Finch, this timeless tale still speaks powerfully to the world we live in today.


Barry Nielsen as Atticus Finch

Barry came late to the stage after attending The Actor's Centre. He has appeared in numerous plays, commercials and short films.

Highlights are "Speaking in Tongues", the triple-gendered role in "Sylvia" and one of three in "Complete Works of Shakespeare". He was the narrator in last year's Genesian production of

"Side by Side by Sondheim".

Barry is no stranger to the theatre - he has been on the board of the theatre for many years, and incredibly proud of our new home in Rozelle.

CODA: Piece of history Buz worked at NSW Bear Pit … Parliamentary Library in 1980s Dr Cope employed him for two years 

In 1986 my neighbour from Bellevue Hill Sonya Todd went to Bratislava - Czechoslovakia with Strictly Ballroom 


To Kill a Mockingbird Adaptor: Christopher Sergel Director: Theo Hatzistergos

Harper Lee’s celebrated 1960 novel To Kill a Mockingbird, set in the fictional town of Maycomb in 1930s Alabama and faithfully adapted by Christopher Sergal, has come under some severe revisionist criticism. However, by drawing the audience into the stagnating world of Maycomb, director Theo Hatzistergos encourages reflection on the parallels between the harsh realities of prejudice, inequality and social injustice in the play and our own disturbed and disturbing times.

Basically a traditional coming-of-age story, the action is triggered by the appointment of lawyer Atticus Finch (Barry Nielson) to defend Tom Robinson (Ibrahim Conteh), a black man, against the charge of the rape of Mayella Ewell (Courtney Miller), a white girl. Atticus’s teenage children, Jem (Reuben Hann) and Scout (Brigid Jeffries), begin to receive some flack at school and events that follow cause them both, especially Scout, to question the values of reason and empathy she has learned from Atticus.

Her innocence is at the heart of the play. When her father is confronted by a mob intending to kill the imprisoned Tom, one of the men is recognised by a bewildered Scout as Mr Cunningham, who previously brought a bag of winter greens to the Finch household to honour a debt. Innocently, she presses him to acknowledge her, and her insistence forces him to acknowledge himself and feel ashamed. At issue is whether Scout will lose her cheerful hopefulness, the symbolic song of the mockingbird, after she witnesses her father and truth defeated in the courtroom.

Scout is given support by wise neighbour Miss Maudie Atkinson (Sarah Marie Stubley), who holds similar values to Atticus. Important to the play in her role as narrator, giving unity to what otherwise would be fragmentary, Maudie’s reflections on life in Maycomb bring some of the warmth of feeling that gives Lee’s novel its charm. Her character is possibly a foreshadowing of a future Scout, or Jean-Louise, as Scout becomes at the close: observant, witty, sometimes sharpish, able to see both the positive and negative sides of Maycomb, and of the world in general. If so, Atticus is not defeated.

Initially, the thoughtful staging, costuming and not always consistent Southern accents make it seem as if we are watching a period piece and congratulate ourselves on living in a more enlightened time. However, strategies like having the actors often enter and exit from the auditorium, and the use of overhead vocal responses, create the impression that the audience are implicated in the action. Gradually, the parallels between our own world, riven as it is by racial prejudice, mental health problems, a hardening of class lines and legal justice being the prerogative of the rich, emerge. We are placed in the position of the young Scout, coming to understand that the way of life we thought of as decent and fair is, in reality, neither.


It was a church, a theatre and gave Baz Luhrmann his start. Now it’s Sydney’s latest nightclub

This former church in Sydney's CBD is transforming into a nightclub and performance space

If You Read Nothing Else Today, Read This….

We trip over our tongues to have a say, but most of what we say is pure rubbish. Just saying

I’m going to promote this story for a simple reason: he’s spot-on, dead right:

I don’t often produce material solely for Medium any more, mostly just on my own website and on other channels. However, Pete’s piece really struck a chord with me for a variety of reasons.

I’ll give just one example. I rarely comment on Linked In, limiting my engagement to posting articles. However the other day I stuck my idiot foot in my mouth when I put something up about being “porous,” a comment about how important it is for us to be open to new experiences and thereby constantly be reminded of how little we actually know.

A few days later I got a note from a very intelligent woman on Linked In who apologized to me- read that again- apologized to me for others’ ill-handling of that comment. Curious, I went back. Sure enough, adult children minus most of their brains did precisely what Pete talks about in his article.

One accused me of using my “cute travel experiences” to make a point. Such trash doesn’t deserve a response.

I sent the kind intermediary a respectful thanks. Her kind of online behavior is rare and deserves to be acknowledged.

I deleted my comment, and didn’t bother to read the others. I am tired of being reminded of the general lack of manners, widespread stupidity and behavior that would get most people kicked out of a pigsty...


You can also read some public letters. Explore the site here, circa 2006. 


Sunflower Glass Studio (based in New Jersey) merges four distinct glass-making traditions into singular fine art panels; fusing vibrant, layered flora created through high-heat kilning, hand painting intricate fauna using traditional medieval techniques, beveling and stained glass construction.



Watching series

Fresh off a 25 hour trek from London to Sydney on my favourite airline (Qatar – KRC February 20, 2024) reminded me I’ve been watching some interesting stuff recently (I’m in the middle of a seven week, four continent ‘Never Ending Tour’).

  • Four great sports documentaries from Netflix and their Untold UK series – Vinnie Jones, Liverpool’s Miracle of Istanbul, Jamie Vardy and Ronaldhino.  And …
  • The Bus.  The 2010 World Cup scandal – made even more fascinating by spending a day last week in Newport with one of the French players in the middle of the fracas in that tournament – Florent Malouda – their only goal-scorer in South Africa.
  • The real story on which Succession was based.  Another Netflix doco – Dynasty: The Murdochs.
  • Legends.  Outstanding drama from Netflix.  A UK series which feels authentic, tense, and bloody real.  Great performance from Mancunian Steve Coogan and another favourite of mine – Tom Burke (Strike).
  • The Cage.  Brilliant drama from Lancaster’s own Hilary Martin.  On BBC.  Real, authentic Northerners!
  • Marcella – Netflix.  I missed this first time round.  Three series.  Dark, intricate, complex.  British / Nordic Noir crime.  Riveting.
  • Nemesis.  Crime, heist thriller.  Worth sticking with.  Slow start but picks up.  If you liked The Wire (I did), then this is worth a look.
  • And three old favourites:
    • Dutton Ranch on Paramount US.  Rip ‘n Beth ride again.
    • Berlin and the Lady With an Ermine.  Prequel to Casa de Papel and Berlin and the Jewels of Paris.
    • Peaky Blinders.  The Immortal Man.  The movie.

And a couple of shows I’m planning to watch this week:

  • Nicolas Cage in Spider-Noir on Amazon Prime.
  • Criminal Record on Apple.

Happy Viewing.


Artists and writers argue scrappy nature of self-published booklets is incompatible with artificial intelligence. ‘They’re supposed to be handmade’: zine creators fight to resist AI influence. 

Read the full article in The Guardian here. And if you’re inspired, here’s a counterculture crash course in how to make a zine.


A reminder to bring a metal detector on hikes:

The Saddle Ridge Hoard is the name given to a hoard of 1,427 gold coins unearthed in Northern California in 2013. The face value of the coins totaled $27,980, but was assessed to be worth $10 million. The hoard contained $27,460 in twenty-dollar coins, $500 in ten-dollar coins, and $20 in five-dollar coins, all dating from 1847 to 1894.

Following the initial discovery of the coins, there was widespread speculation that the hoard represented the discovery of the 1901 theft from the San Francisco Mint by employee Walter Dimmick. Other disregarded theories contend that the hoard is a hidden stash of gold buried by Jesse James, or loot taken by Black Bart, who was known for robbing stagecoaches. A theory has also been advanced that the hoard was part of a treasure supposedly hidden by the Knights of the Golden Circle, to be used to fund a second Civil War. The predominant theory attributes the cache to an unknown individual who chose to bury the coins rather than trust the banks to protect his wealth. While the couple who found the coins have remained anonymous and the location of the find is undisclosed, several individuals have attempted to claim the gold coins or a share of the profits, asserting that the money belonged to one of their relatives or associates.

Found on Wikipedia and National Geographic


On Oversocialization Idle Rambler


Why Are Men So Bad at Making—and Keeping—Friends? Derek Thompson