Sunday, November 30, 2025

Why is knowledge getting so expensive?

 

Why is knowledge getting so expensive?

Jeffrey Edmunds, TEDxPSU [YouTube] – “With the shift from books to ebooks, libraries have lost ownership of their collections. Knowledge is being privatized and monetized by multinational corporations.
 To correct this trend, we need to think of knowledge, especially the knowledge collectively funded and created at universities like Penn State, not as a private commodity, but as a public good. Jeff Edmunds is Digital Access Coordinator at the Penn State University Libraries, where he has worked for more than 35 years. He helps manage access to the Libraries’ millions of digital resources, especially eBooks, and is a fierce champion of open access to information. His texts have appeared in Nabokov Studies, 

The Slavic and East European Journal, McSweeney’s, and Formules (Paris, France), among others. Jeff has decades of experience managing electronic resources in the context of a large academic research library which he now applies in lectures regarding e-books and their privatization. This talk was given at a TEDx event using the TED conference format but independently organized by a local community”

Unexpected events and prosocial behavior: the Batman effec

Pagnini, F., Grosso, F., Cavalera, C. et al.Unexpected events and prosocial behavior: the Batman effect [Full text available free]. npj Mental Health Res 4, 57 (2025). https://doi.org/10.1038/s44184-025-00171-5

Prosocial behavior, the act of helping others, is essential to social life, yet spontaneous environmental triggers for such behavior remain underexplored. This study tested whether an unexpected event, such as the presence of a person dressed as Batman, could increase prosocial behavior by disrupting routine and enhancing attention to the present moment. We conducted a quasi-experimental field study on the Milan metro, observing 138 rides. 

In the control condition, a female experimenter, appearing pregnant, boarded the train with an observer. In the experimental condition, an additional experimenter dressed as Batman entered from another door. Passengers were significantly more likely to offer their seat when Batman was present (67.21% vs. 37.66%, OR = 3.393, p < 0.001). 

Notably, 44% of those who offered their seat in the experimental condition reported not seeing Batman. These findings suggest that unexpected events can promote prosociality, even without conscious awareness, with implications for encouraging kindness in public settings. Trial registration: ClinicalTrials.gov n° NCT06481748; registered on July 1, 2024.


Observer in Time and Life - Cryptic Record Keeper

Words... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.
~ Tom Stoppard, The Real Thing


Scientists find hidden switch that lets tumors shapeshift and evade treatment ScienceDaily

Tragic News: Vale Tom Stoppard, playwright of dazzling wit and playful erudition, dies aged 88

The world has lost Tom Stoppard. How lucky we were to have him. 

 “Every exit is an entrance somewhere else.”

We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.”
~ Tom Stoppard, Rosencrantz and Guildenstern Are Dead


It was one of the plays -Rosencrantz and Guildenstern Are Dead - that Tom wrote that broke ice with my better half …

To be alive during Tom’s lifetime has been one of the soulful bohemian blessings 


“Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.” ~ Tom Stoppard

Tomáš Sträussler, 1937–2025) was a Czech-born British playwright and screenwriter

Born: 3 July 1937, Zlín, Czechia

A theatrical sensation since the 1960s, whose dramas included Arcadia, The Real Thing and Leopoldstadt, Stoppard also had huge success as a screenwriter


Tom Stoppard, the "apostle of detachment," is getting in touch with his emotions: sadness, mortality, melancholy,  vulnerability  … 



Words... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.
Tom Stoppard, The Real Thing

Sir Tom Stoppard obituary: playful and prolific playwright

A popular and exotic figure, Stoppard was known for his dandyish appearance as well as his wit and eloquence
With his Jim Morrison mane and Mick Jagger pout, Tom Stoppard looked more like a brooding rock star than one of Britain’s most critically acclaimed and commercially popular playwrights. Although he came to prominence at a time of excitement in the theatre when John Osborne, Arnold Wesker and Harold Pinter were producing some of their best work, and the generation of David Hare and David Edgar was emerging, his writing and his concerns were utterly distinctive and personal. 
And just as every cultured person more or less knows what is meant by Pinteresque, so the adjective Stoppardian entered the language as a shorthand for wit, linguistic cleverness and dazzling eloquence.
Incorporating multiple timelines and visual humour, his work was generally optimistic and good-natured at a time when others were investigating squalor, degradation, silence and anomie. “I want to demonstrate that I can make serious points by flinging a custard pie around the stage for a couple of hours,” he explained.
He rarely aimed for realism, least of all the gritty kind. His theatre is a place of carnival, where the extraordinary happens and ideas are taken to absurd logical extremes, and he had a wonderful ability to combine disparate elements beneath a dazzling surface. In his early career he was criticised, after the immense success of Rosencrantz and Guildenstern are Dead and Jumpers, for failing to portray people convincingly and for the lack of social conscience. His reply was that much of his dialogue was “simply stuff which I’ve ping-ponged between me and myself”.

Tom Stoppard’s Luck American Conservative


Drawing comparisons to the greatest of dramatists, he entwined erudition with imagination in stage works that won accolades on both sides of the Atlantic.

Tom Stoppard, the Czech-born English playwright who entwined erudition with imagination, verbal pyrotechnics with arch cleverness, and philosophical probing with heartache and lust in stage works that won accolades and awards on both sides of Atlantic, earning critical comparisons to Shakespeare and Shaw, has died at his home in Dorset, England. He was 88. 
The death was announced on social media by United Agents, which represented him. No other details were provided.
Few writers for the stage — or the page, for that matter — have exhibited the rhetorical dazzle of Mr. Stoppard, or been as dauntless in plumbing the depths of intellect for conflict and drama. Beginning in 1966 with his witty twist on “Hamlet” — “Rosencrantz and Guildenstern Are Dead” — he soon earned a reputation as the most cerebral of contemporary English-language playwrights, venturing into vast fields of scholarly inquiry — theology, political theory, the relationship of mind and body, the nature of creativity, the purpose of art — and spreading his work across the centuries and continents.
Academy Award-Winning Playwright Tom Stoppard Has Died Stoppard won an Academy Award for the screenplay for 1998’s “Shakespeare In Love.”Academy Award-Winning Playwright Tom Stoppard Has Died Stoppard won an Academy Award for the screenplay for 1998’s “Shakespeare In Love.”

Saturday, November 29, 2025

World Map of Human Ideas

 

World Map of Human Ideas

Explore the birthplaces of ideas that shaped civilization

Legend:

  • Science
  • Technology
  • Art & Culture
  • Philosophy
  • Politics & Society
  • Exploration
  • Communication

CHEESE FOR THE WIN:  A Taste For Cheese May Reveal Your Future Risk of Dementia. “Of the cheese-eating group, 134 people developed dementia (3.4 percent); among cheese abstainers, 176 developed dementia (4.5 percent). That’s a difference of around 10 or 11 extra cases in every 1,000 people.”

Glad it turned out that way. If loving cheese is wrong, I don’t want to be right.

3 Rebel Nuns Can Stay in Abbey, if They Give Up Social Media

 

3 Rebel Nuns Can Stay in Abbey, if They Give Up Social Media

After the octogenarian nuns refused to return to their senior center, the abbot has finally folded. But he has some conditions.




When three octogenarian nuns escaped their senior center in September, their unlikely quest for freedom set off a bitter standoff with the abbot who leads their Roman Catholic order.

The three rebel nuns forced their way back into the Austrian abbey where they had lived for decades, before the senior center. That put them at odds with the abbot, who had wanted to keep them out, while capturing the global imagination with their lively social media feed and even prompting the involvement of Catholic leaders in Rome.

Now, after a monthslong standoff in which the nuns refused to return to the care home, the standoff seems to have a winner.


Abbot Markus Grasl appeared to admit defeat on Friday, announcing in a statement that, after talks with Rome and the local archdiocese, he would finally allow the sisters to continue to live in the abbey at Castle Goldenstein, close to Austria’s border with Germany.

In another concession, Abbot Grasl said that the nuns — Sister Rita, 82, Sister Regina, 86, and Sister Bernadette, 88, who are all known only by their religious names — would be provided with round-the-clock care, an on-call doctor and a priest to hold weekly services in the abbey’s chapel.

In return, the abbot listed several conditions: The women must stop letting laypeople into their cloisters, and — most likely much more important — they must end their social media feed.

“I hope that the sisters will accept the path I have outlined and that a regulated religious life will once again be a reality in Goldenstein,” Abbot Grasl wrote in a statement sent to journalists on Friday


The sisters did not immediately accept those conditions, perhaps wary of relinquishing an important source of leverage over the abbot; their Instagram feed has nearly 100,000 followers. Reinhard Bruzek, their lawyer, told Austrian public television that the deal offered by the abbot reminded him of a “gagging contract” worthy of North Korea and that he would advise his clients against accepting

Staying at the abbey on the abbot’s terms would also give their Catholic order — the Austrian chapter of the Canonesses of St. Augustine — power of attorney over the nuns and the donations that they have received since escaping the senior center. That could potentially allow the abbot to force them back to a care home at a later date.

“At this point, they don’t really trust anyone,” said Christina Wirtenberger, 65, a former student who is helping organize care for the nuns.

The disagreement began nearly two years ago, when the abbot shut down their living quarters in the abbey and arranged for the sisters, the last surviving nuns of their order, to move to the care home.

The nuns said that they were moved there against their will. Abbot Grasl said they went willingly.

Either way, the sisters had had enough of the home by early September, and — with the aid of a locksmith — fled to the century-old abbey. Once their supporters restored electricity and water, the sisters went about their old lives with the help of their former students, almost as if they had never left.

After setting up a social media account and publicizing their plight, the sisters attracted global attention and sympathy. International reporters covered their story, the British ambassador to Austria came for tea, and a publisher rushed out a book, set to be published in December, about their unlikely predicament. Some of the proceeds, the publisher said, will be given to the nuns.

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Donations from well-wishers have already allowed their former students to pay for a full-time home care worker, as well as an expensive chairlift that allows the sisters to descend more easily from their third-floor living quarters for prayers in the abbey’s chapel.

“We are taking care of them the way we would take care of our own grandparents or parents,” said Ms. Wirtenberger.

The nuns quickly became symbols of joyful self-reliance in old age: Their supporters swooned over videos of the sisters trying on boxing gloves or running in the abbey’s parking lot. Others find inspiration in the sisters’ rebellion against a religious order that, to its critics, appeared ready to dismiss the nuns’ wishes once they seemed too old to live alone.

In an interview with The New York Times in September, Sister Rita said she still hoped to reconcile with the abbot, whom the nuns have known since he was a teenager.

“I still like him,” she said.

Christopher F. Schuetze is a reporter for The Times based in Berlin, covering politics, society and culture in Germany, Austria and Switzerland.
See more on: Roman Catholic Church