For what it’s worth, I don’t have any tattoos. . . God forbid recycling teenager and blogger trying to be funny
As a kid I remember distinctly being told by adults how awful it was that kids in the Soviet Union couldn't learn real history, they could only learn state sanctioned propaganda. These exact same people are now advocating for banning books and history in the US...
HISTORY: Earliest known writing dates back over 40,000 years
How to raise children. “It’s wild to me that we parent our children to fit into society, then get together with our friends and talk about how broken society is.”
Writer Lauren Groff on how she works. “After she completes a first draft, she puts it in a bankers box — and never reads it again.” And: “We all need to fill ourselves with the ghosts of other writers.” Her new book is out
Just dropped this morning: the trailer for the final season of For All Mankind. When season four’s teaser trailer came out, I caught some flack for suggesting that “if you tilt your head and squint…you see For All Mankind as a prequel/origin story for The Expanse”. It looks like we’re heading even more in that direction in season five, which begins airing March 27.
Andor Creator Tony Gilroy Is Free to Speak About Fascism Now
Early on in the promotional period for season two of Andor, a series explicitly about fascism that depicted a genocide, Disney asked creator Tony Gilroy not to use the words “fascism” and “genocide”. Now that promotional period has passed and he can speak freely. Here’s Gilroy’s recent interview with Hollywood Reporter. They asked him about the prescience of the show given current events, especially those in Minnesota, and his response is spot-on:
The simplest answer to the strange synchronicity of all of this is really on them, the outside forces. We were pretty much doing a story about authoritarianism and fascism, and the Empire is very clearly a great example of that. It’s a great place to deal with those issues, and as we’ve discussed many times before, we had this wide open canvas to deal with it.
So you get out your Fascism for Dummies book for the 15 things you do, and we tried to include as many of them as we could in the most artful way possible. How were we supposed to know that this clown car in Washington was going to basically use the same book that we used? So I don’t think it’s prescience so much as the sad familiarity of fascism and the karaoke menu of things that you go through to do it. You could list them from the show, or you could list them from the newspaper.
In the beginning, it was very confusing. People were like, “Oh, you’re psychic,” or, “The show is prescient.” But in the rear-view mirror, it’s really a much sadder explanation than that.
Gilroy also mentions a book that’s coming out this summer: The Art of Star Wars: Andor(Amazon). He says: “Every page has ideas that we talked about over the course of a million meetings, and it’s just so good.”
A Hymn to Life by Gisèle Pelicot review – a unique memoir by a figure of astonishing power
The Guardian: “It is a mark of the power and honesty of Gisèle Pelicot’s memoir, A Hymn to Life – a seemingly impossible writing project in which the author must reconcile herself with horrors of which she has no recollection – that in the first 40 pages, the person I felt most angry towards was Pelicot herself. Her ex-husband, Dominique, who will almost certainly be in jail for the rest of his life for drugging and raping his wife and recruiting 50 men over the internet to do likewise, takes his place among the monsters of our age. In his absence, the reader may experience a version of what happened in Gisèle Pelicot’s own family – namely, the misdirection of anger towards her…
A Hymn to Life is alive with the kind of detail that wouldn’t look out of place in a good novel, but it’s the expression it gives to something glimpsed at during the trial that makes it so singular; namely, the transformation of Gisèle Pelicot from a self-avowedly ordinary woman, “content with my little life”, into a figure of astonishing power. After her husband’s arrest, she moved from Mazan to the Île de Ré, where in an effort to share her state of mind with new friends she told them she’d “been struck head-on by a high speed train”. (In a moment of grim humour, one neighbour took her literally and remarked, “the surgeon who had rebuilt my face had done an excellent job”.) Detailing what it took to emerge from this state to become a national – if not global – icon is the unsparing mission of the book…”
See also The New Yorker – The Trial of Gisèle Pelicot’s Rapists United France and Fractured Her Family. After fifty-one men were convicted, Pelicot became a feminist hero. But additional accusations left her children struggling to accept her new
