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The Grief of Others The Art of Struggle - A Short Life and Its Consequences
There is only one sin, only one. And that is theft. Every other sin is a variation of theft - The Kite Runner
Even at their moments of most intense grief, Cohen does not allow her characters to plunge into self-pity. She has faith in their resilience; or rather, she finds the bedrock of resilience beneath swampier emotions. Sometimes the very sources of guilt and shame — acts the individual would wish undone — are the means of building a bridge back to the trust and affection that have always lain under sadness. For all its deep-seated sorrows, this is a hopeful book, a series of striking vignettes illuminating the humanity of these. fully realized characters
• Sometimes i can hear my bones straining under the weight of all of the lives i'm not living - 7 Revolting Things About American Culture Amerika [The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture\The Wrong Side ; The poems are transparent (they need no mediation), yet they tantalise the reader with glimpses of an impenetrable self: so much yearning, so much debility; an eros that self-thwarts and self-finesses ]
• · And into the brown paper bag of my heart, Eddy slipped a smile. - from The River Why by David James Duncan. The book weighs profit and loss in terms of past and present, social and political developments. But its emotional core is in 'private grief / or private fears,' its struggle to reconcile an inner life with external pressures. Profit and Loss - private grief / or private fears ; You can still rely on Media Dragons for a reality check Cold River invented a poetry for its tale ; "You gotta look beyond, beyond the border to understand the history of your country Interview with CS Giscombe
• · · Women fall in love when they get to know you. Men are the opposite. When they finally know you they're ready to leave - J Salter - Such is the danger of first books, and the first poems therein: high expectations. Onward John Beer! Leave these barren fields, cropped and rotated to extinction. There are verdancies ahead that you and we have yet undreamt of. I can see a forest for Some Trees ; Stopping everything is something. Stopping everything and stopping all of that thing is something. Stopping everything and then doing nothing in stopping everything is something
• · · · So we beat on, boats against the current, borne back ceaselesly into the past - The Great Gatsby,Nick on resilience = I do not write memoirs. I do not write novels. I do not write short stories. I do not write plays. I do not write poems. I do not write mysteries. I do not write science fiction. I write fragments. I do not tell stories from things I’ve read or movies I’ve seen, I describe impressions, I make judgments. The modern man I sing - When I Look at a Strawberry, I Think of a Tongue; D]espite a love for teaching his students, their generation is not living up to the radical attitude his own almost took for granted. But nevertheless, there is a feeling of bathos. Of sorts an ode to possibility, The Poetry Lesson unfortunately leaves the reader feeling a little deflated. Entertained, yes, and wiser, for sure. But not exactly inspired
• · · · · "[Vasko] Popa thus offers us poetry that does something, that believes in an active language whose intention derives not from an author but from the power of words themselves, simultaneously avowed and disavowed in the impossible exactitude of the curse: ‘God give you a gold coin weighing a ton, so you can’t carry it or spend it, but have to sit beside it begging The Golden Apple: A Round of Stories, Songs, Spells, Proverbs and Riddles ; "[In L.A.] it felt like all the waiters and waitresses were on stage, waiting to be discovered—the smiles were megawatt but skin deep, and attempts at conversation often swayed very swiftly to auditions A Trunk Full of Random T-Shirts
• · · · · · "Freedom is what [Álvaro de] Campos seeks: ‘No! All I want is freedom!/ Love, glory, money – they’re prisons’, he exclaims in an untitled poem from 1930; and freedom is also what the heteronym bestows on [Fernando] Pessoa himself." Unlike a pseudonym, or an anonym, the heteronym is a wholly fabricated persona ; One has the sense of [Arthur] Rimbaud stringing together some of his favorite words to create in a breath a sense of rapturous identity. How does one become a genie? By making love to one.
