Kushweer is the boy who likes Harry Potter and even dancing like Jackson boys ..
A remarkable story based on award-winning writer/director Tony Ayres' own compelling life, The Home Song Stories is a deeply emotive, dramatic, and exotic tale of love, hope, adversity and survival. Love My Exile Way
Balmain Boys Do Not Cry: Bruce Beresford Unforgetable Memoirs
Bruce Beresford had been approached to do a film about the 19th-century reformer William Wilberforce, who for years conducted a dogged parliamentary campaign against the slave trade. It came from production company Walden Media, known for its interest in family-friendly fare. The project had been around for some time: Australian director Bruce Beresford makes several references to his interest in the film in his new memoir, regretting that other commitments meant he could not take it on. Scriptwriter Steven Knight (Dirty Pretty Things)
In a recent panic that my memory is failing as I grow older, I have been writing my memories down before they all fade away. Surprisingly, this has been an enjoyable exercise, as more and more of my childhood shenanigans have come back to me while writing others down. I certainly don’t have any plans to write a full memoir, but after dredging up my own memories, attempting to put them in some kind of order and render them with as much honest detail as I can muster, I’ve come to wonder how people DO write memoirs that include quoted conversations, like scenes from a movie. None of my memories (including those from last week) are so crisp as that, and there are startling gaps in the continuity. Sometimes I can piece together a timeline, when memories can be crosschecked with documentary evidence. Mostly however, I don’t have anything to moor my memories to, and they are floating around inside my head like slowly deflating balloons…
Famous people not only hang-out together after they are famous but also even before they were famous… (This first struck me when reading books by or about Hemingway’s “lost generation” crowd of US expatriates in Paris in the 1920s).
• A graceful force for freedom ; [Baker; Murdoch's Australian broadsheet is still struggling to understand the blogosphere – Creative Cold Rivers of Economy A Streetcar Named Blogging Desire Seriously cool: marketing and communicating with diverse generations ]
• · If there is any justice, this year’s Academy Award for best foreign-language film will go to “The Lives of Others,” a movie about a world in which there is no justice. It marks the début of the German director Florian Henckel von Donnersmarck, of whom we have every right to be jealous. First, he is a stripling of thirty-three. Second, his name makes him sound like a lover with a duelling scar on his cheekbone in a nineteenth-century novel. And third, being German, he has an overwhelming subject: the postwar sundering of his country. For us, the idea of freedom, however heartfelt, is doomed to abstraction, waved by politicians as if they were shaking a flag. To Germans, even those of Donnersmarck’s generation, freedom is all too concrete, defined by its brute opposite: the gray slabs raised in Berlin to keep free souls at bay.
It is a tribute to the richness of the film that one cannot say for sure who the hero is. The most prominent figure is Gerd Wiesler (Ulrich Mühe), yet if you passed him on the street you wouldn’t give him a second glance, or even a first. He would spot you, however, and file you away in a drawer at the back of his mind. Wiesler, based in East Berlin, is a captain in the Ministerium für Staatssicherheit, better known as the Stasi—the state security service, which, by the mid-nineteen-eighties, employed more than ninety thousand personnel. In addition, a modest hundred and seventy thousand East Germans became unofficial employees, called upon to snoop and snitch for the honor—or, in practical terms, the survival—of the state. “Love thy neighbor as thyself,” Jesus said. The German Democratic Republic offered its own version: watch thy neighbor, then pick up thy phone. The movie begins, fittingly, for four years after my escape across the Iron Curtain through Morava River, in Orwell's 1984. The Stasi machine still fulfills its Orwellian function, training its sights on anyone who might be construed as seditious Murder in mind ; All that is needed, then, is to place a supervisor in a central tower and to shut up in each cell a madman, a patient, a condemned man, a worker or a schoolboy Giving good face
• · Librarians are irrationally and understandably jealous of life going on without him, incensed that his season in hell hasn’t stopped the world from turning. What Librarians read ;-); Making Films and Parliaments Our parliaments and political leaders have failed to update Australia's system of law and government in line with the modern world
• · · This white paper provides a big-picture analysis of our changing times and generational shifts, and points to some of the drivers of the generational debate. In the process it delivers insights into both marketing strategy and the marketing and communication tactics that will result in deeper engagement with the diverse generations. Marketing; Big Brothers and Barons Challenges of Wiki
• · · · Cast Your Vote On The Wikipedia Editing Wall Of Shame Wiki exposures; Wikipedia Scanner has traced Wikipedia changes to people at several large companies who appear to have altered potentially damaging content. ... Damage to big
• · · · · PC world on Shame; Forbes on trespasses
• · · · · · Australian politicians 'doctor Wikipedia entries ; This research brief considers the American experience of ownership deregulation from 1996 to the beginning of 2007 and makes comparisons with the Australian media landscape. It discusses whether differences in media traditions between the countries could deliver different outcomes from deregulation. It considers too if the existence of an entrenched public broadcaster culture in Australia is sufficient to counter the possible emergence of a private media landscape that may be more homogenised and more restricted and restrictive in content. Research Paper - Parliamentary Library; 'Media ownership deregulation in the United States and Australia: in the public interest?'
