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Friday, April 03, 2026

‘Messy’ gardens are trending. Here’s how to make yours bloom

A true friend is someone who thinks that you are a good egg, even though he knows that you are slightly cracked.


Fashion’s anti-perfect backlash


From crumpled bags to bed hair, ‘messy’ chic offers an alternative to looking put together



Slovakgirl by Karol Plicka; she almost looks like she could be a 1970s hippie teen dressed in peasant-style clothes 🤭 Tatranka Subor - Mantra of Marta Chamillova

From celebrities sipping green juices to toned influencers striking yoga poses at sunset, images of perfection have long shaped the lifestyle landscape. 
But there is also a growing counter narrative that sees the idea of being real and “messy” as a more appealing way to live your life. From interiors to pop to fashion, disorderly conduct is in.
 Think deliberately crumpled designer bags, slept-in eyeliner, fallen-down straps, low-slung trousers and distressed jeans. And because no micro-movement can possibly go unlabelled, some are calling the approach “Burnout Chic”, “Messy Girl” or “Undone Glamour”.

In its hotly anticipated spring 2026 collection, Chanel released a version of its legendary 2.55 quilted bag that looks crumpled and lived in. As if it could have been handed down by a grand but eccentric relative or perhaps repeatedly slung over a chair in the Café de Flore. 
At other spring/summer shows from Loewe to Fendi, bags were carried unfastened, evoking someone who is laissez-faire, in a rush, and in no way buttoned up. In other words, someone real. Although just how “real” a £10,700 bag is — or how authentic many of these designer takes on deshabille dressing are — is debatable.

Before her Proenza Schouler show last month, Rachel Scott told Women’s Wear Daily that she found perfectionism to be “a bit of a prison” and her distressed pantsuits seemed to speak to that. Signs of the lived-in spirit were on display at Miu Miu, where models sported wrinkled and shrunken leather coats and rumpled mini dresses, while Celine’s Michael Rider said he loves it when “messy, complex layered inner lives come through underneath great clothes”. 
Beyond fashion, the idea of messiness as a mentality has been bubbling under in music for a few years, and Lola Young’s Grammy-winning song “Messy” could be a suitable anthem. In it she addresses the contradictions of being human and the struggle to balance them, the idea that she — and by extension other — women tend to be categorised according to these binary ideas of perfection or chaos. A subtle distinction that the popular “Clean Girl or Messy Girl” quiz on TikTok glosses over.

Singer Charli XCX celebrated “that girl who is a little messy and likes to party” as part of her Brat concept, offering an antidote to the flawless aesthetic. 
And when it comes to interiors, images of homes that actually look as if someone lives there, with piles of books and belongings, and sinks surrounded with beauty products in use rather than arranged on a shelf, are gaining popularity. 
Beauty entrepreneur Alli Webb has catered to clean girls and messy girls alike. The co-founder of the blowout salon chain Drybar built a $255mn business and sold it in 2020 to Helen of Troy. 
Webb detailed her own challenges in her book The Messy Truth: How I Sold My Business for Millions But Almost Lost Myself. “As people are talking more about personal struggles, there is this feeling that it’s all a little messy for everybody,” she said. “That you-don’t-have-to-be perfect mentality trickles down into fashion and beauty.”

Model and Apostle skincare co-founder Jamie Melbourne traces the current return of bedhead hair, messy make-up and undone style to the 1990s, when Grunge went more mainstream and Kate Moss became “the most iconic model of that time”. 
Fast forward to autumn/winter 2026 and bed hair could be seen on the runway at Coach, while Bella Hadid walked for Prada with slightly haphazard circles of kohl and heavy shadow that gave her an out-all-night look — such touches could be a backlash to clean girl make-up and overconsumption of TikTok beauty tutorials. Meanwhile, actors such as Paul Mescal and Connor Storrie have popularised the artfully dishevelled mini mullet. 

Perhaps Pope Leo XIV would approve? He recently warned against “a widespread ‘cult of the body’, which tends towards a frantic search for a perfect figure, which always stays fit, young and beautiful”. Longtime trend watcher and Why We Buy author Paco Underhill chalks up the messy trend to several factors, including the rebranding of used clothes to “vintage”. 
Resale items are inherently imperfect and can be styled more freely. Meanwhile, Alexei Hamblin, the 23-year-old designer who is helping to reinvent sports brand Slazenger, thinks that after a decade of clothing brands flooding social media feeds, tightening trend cycles and pitching monthly must-buy pitches, Gen Z has hit their limits. 
He said: “The constant perfection, the pristine new ‘luxury’ products and gorgeous models being forced down Gen Z’s throats their whole lives hit the capacity. My generation want realness and authenticity and the lived-in, imperfect styling feels more human and attainable.”

Hamblin adds: “That’s why on TikTok and other social media, people have been more inclined to wear lived-in, relaxed and messier styled outfits. The engagement of these videos is hitting the algorithm in certain ways and quickly showing people an alternative way of consuming fashion. That feels like it tells a true story of daily life and really connects with how audiences feel.” 
Creative consultant Anne Valois identified “the messy comeback” last year noting, among other things, social media’s “not so aesthetically pleasing things and not-so-staged weekly photo dumps of more mundane, everyday life things”. 
But there’s a catch — that swing to the raw and unfiltered has almost become a concept in itself. Valois says: “The moment you put a label on it, it starts to go from truly authentic to being performative again.”


Messy’ gardens are trending. Here’s how to make yours bloom 
Megan Backhouse 
April 3, 2026

It was easy to pick Jac Semmler’s garden at the Melbourne International Flower and Garden Show (MIFGS). Hers was the one with the coral pink deck and the joyous sea of plants. It was both electrifying and understated at the same time.

Semmler, who runs the “plant practice” Super Bloom, is a horticulturalist, planting designer and author who is shaking up how we garden, partly by encouraging people to plant exactly what they like. In her eyes, gardens are for pleasure and the only person you should seek to please is yourself.

But she does have a caveat and that is that climate compatible plants should come first. Plants, she says, are “the great giver” and it is these, rather than built elements, that should be the central player.

Jac Semmler in the MIFGS garden designed by Super Bloom in partnership with Heliotrope Studio, Evergreen Infrastructure and Mood Construction.SARAH PANNELL

The MIFGS display, made by Super Bloom in partnership with Heliotrope Studio, Evergreen Infrastructure and Mood Construction contained hundreds upon hundreds of perennials, annuals, shrubs and succulents. There were no beds or borders as such because the entire 40-square-metre garden, save for the pink path, was an intricate mass of flowers, foliage and seed-heads.

Even allowing for the fact that MIFGS displays have been getting softer and looser by the year, last week’s show was especially free-spirited. Burgundy-red everlasting daisies were knocking into purple penstemons and towering over orange agastaches. The blue flowers of Ceratostigma griffithii were tangling with the powdery silver leaves of Cotyledon orbiculata and with coral pink salvias. Kangaroo grass danced with Californian poppies. Flashes of violet dianthus were interspersed with the drumstick seed heads of Scabiosa stellata.

Semmler says that creating a beautiful garden isn’t about following a formula but about adopting a creative approach that focuses on the nuance of plants.

In her latest book, Flower Power: Designing Gardens for Year-Round Wonder, launched in Melbourne last month, she admits to particular botanical biases – wispy shapes, the colour blue, Mediterranean-like landscapes – but advises gardeners to follow their own preferences.

A coral pink deck ran through a joyous sea of plantsSARAH PANNELL

The book, launching in Sydney next week, offers guidance on how gardeners can chart their own way.

Plan, play and experiment

Choose a diversity of plants that suit your soil and climate, and that you love. Rather than focusing on one flowering peak – traditionally late spring and summer – Semmler encourages us to make gardens that look good all year round.

While succulents and shrubs provide permanence, annuals biennials, perennials and bulbs operate on different time frames and will provide various moments of delight throughout the year. These seasonal highlights often come from flowers but other aspects of plant life, such as the colour of fresh growth or the structure of seed heads, bring visual peaks too.

If you feel unsure start small, then scale up. Semmler suggests that one approach when building a composition is to start with a “flower hero”, then choose a “support act” with more subtle qualities to highlight that hero and then a “camouflage” to cover the ground, reduce radiant heat and suppress weeds. Gradually, keep adding diversity with the addition of more plant species, with attention to colour, shape, height and texture.

The garden includeshundreds of perennials, annuals, shrubs and succulents. SARAH PANNELL

The role of set structure and repetition

Known patterns and lines, such as a pathway or a wall, help introduce a degree of “readability” in a garden and create a balance between the wild and the controlled.

Repetition can also make everything belong together and create a sense of coherence. “The human eye loves repetition, as it makes us feel that we are part of something greater,” Semmler writes.

Just start

The most important thing is to begin a planting and then see where it takes you. Semmler insists that anyone, no matter how much space they have or how much gardening experience, can make a garden. Consider your place and its planting possibilities, and then observe how what you plant works. You can learn to garden by doing it, and your ideas change as your garden develops. Make it a pleasure not a burden.

Let the plants lead the maintenance

Consider your garden as an ever-changing place that flourishes and grows rather than just establishes and survives. Instead of following a predetermined list of “jobs to do this month or week”, take your cue from your plants and be proactive rather than reactive. Over time, you will get to know the unique timing of your garden and when to deadhead, prune or provide other care.

This is especially true in a changing climate, when plants don’t always conform to our experiences or expectations. “The only guarantee is more shifting seasons and unpredictability, so listen harder and plant with adaption in mind,” Semmler says.

Finally, remember that by choosing plants that are resilient you are less likely to be overwhelmed by their care.

Flower Power: Designing Gardens for Year-Round Wonder (Thames & Hudson) by Jac Semmler is out now.

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