“Urban observer” Jeff Rothstein has been wandering the streets of NYC taking B&W photos since the early 1970s. Among the photos, you can find snaps of John and Yoko, Bob Dylan, and Muhammad Ali. What’s interesting is because they are black & white and the look of NYC’s streets haven’t changed that much (from some angles at least), you can’t often tell when a particular photo was taken unless you look closely at clothing styles or signage in the background. And even then…NYC kids have been wearing Adidas kicks for more than 30 years. You can buy his book, Today’s Special: New York City Images 1969-2006, right here on his website. (via craig mod)
One common idea is that storytelling is a form of cognitive play that hones our minds, allowing us to simulate the world around us and imagine different strategies, particularly in social situations. “It teaches us about other people and it’s a practice in empathy and theory of mind,” says Joseph Carroll at the University of Missouri-St Louis. […]
Providing some evidence for this theory, brain scans have shown that reading or hearing stories activates various areas of the cortex that are known to be involved in social and emotional processing, and the more people read fiction, the easier they find it to empathise with other people. […]
Crucially, this then appeared to translate to their real-life behaviour; the groups that appeared to invest the most in storytelling also proved to be the most cooperative during various experimental tasks - exactly as the evolutionary theory would suggest. […]
By mapping the spread of oral folktales across different cultural groups in Europe and Asia, some anthropologists have also estimated that certain folktales - such as the Faustian story of The Smith and the Devil - may have arrived with the first Indo-European settlers more than 6,000 years ago, who then spread out and conquered the continent, bringing their fiction with them.
The author also says this; “Although we have no firm evidence of storytelling before the advent of writing.” He then goes on to write about the paintings in Lascaux which seem to be telling stories, so he’s aware of some examples. Randomly today I also happened on this about Australia’s ancient language shaped by sharks which talks about the beautiful history of the Yanyuwa people and their relationship with the tiger shark. They’ve been “dreaming,” telling stories, for 40,000-years!
This forms one of the oldest stories in the world, the tiger shark dreaming. The ‘dreaming’ is what Aboriginal people call their more than 40,000-year-old history and mythology; in this case, the dreaming describes how the Gulf of Carpentaria and rivers were created by the tiger shark.The Great American Read is an upcoming eight-part PBS series about books and reading. The show is built around a national survey that asked a group of “demographically and statistically representative” Americans what their most-loved English language work of fiction was.
And then there’s this incredible aspect of their culture:
What’s especially unusual about Yanyuwa is that it’s one of the few languages in the world where men and women speak different dialects. Only three women speak the women’s dialect fluently now, and Friday is one of few males who still speaks the men’s. Aboriginal people in previous decades were forced to speak English, and now there are only a few elderly people left who remember the language.The inimitable Ian Bogost with some thinking on how stories are overtaking social media and how they are perhaps the first true smartphone media format. First, what are stories in this context?
“Story” is a terrible name for this feature, because it’s so broad as to descend into meaninglessness. In ordinary parlance, a story is a generic name for a narrative account of something. But a Story, of the Instagram and Snapchat sort, is something much more specific. It’s a collection of images and short videos, with optional overlays and effects, that a user can add to over time, but which disappears after 24 hours. Users view a Story in sequence, either waiting out a programmed delay between images or manually advancing to the next.
Then this pearl of a quote I’ll be stealing and reusing:
That name is vestigial now, because it’s only incidental that an iPhone or a Pixel is a telephone. Instead, it’s a frame that surrounds everything that is possible and knowable. A rectangle, as I’ve started calling it. (Emphasis mine.)
The rectangle now frames experience. Information is rectangle-shaped, retrieved from searches in Google or apps or voice assistants. Personal communication comes in the form of a list of bubbles spilling down a rectangle. The physical world can be accessed by a map scaled to the boundaries of the rectangle, which can also provide way-finding through it. Music, movies, and television appear on these screens, and increasingly there alone. The rectangle is also an imaging device, capable of capturing a view of the world in front of it and the operator behind it.
Stories are clearly from rectangles, using the vertical 9:16 aspect ratio for better or for worse. I was not aware of this:
Screenshots from the apps where people spend more and more of their time, in messaging conversations, for example, also take this shape. In fact, this tendency drove one of Facebook’s newly announced features: a software integration for Stories that would allow direct posting from an app. A song playing in Spotify, for example, will be able to be inserted into a Story natively, with a link back to the track in question. […]
Stories is not a technology, nor is it a feature. It is a media format, or even a genre, in the way that a magazine or a murder mystery or a 30-minute television program is.