Eimear McBride, The Lesser (Irish) Bohemians. A novel of an affair, with intoxicating Irish prose and a genuine energy on the page, though it is more a work of intensifying fervor than a traditional plot-based story
Claire Louise-Bennett, Pond, more from Ireland, short, nominally fiction but more like a circular sensory experience of reading overlapping short stories, with a cumulative effect akin to that of poetry. I found this one mesmerizing
“Only an artist can tell … what it is like for anyone who gets to this planet to survive it,” James Baldwin asserted in contemplating how the artist’s struggle illuminates the common human struggle. “War and chaos have plagued the world for quite a long time,” wrote a forgotten defender of E.E. Cummings and the artist’s duty to challenge the status quo, “but each epoch creates its own special pulse-beat for the artists to interpret.” Often, the pulse-beats of chaos that feel most unsurvivable are those which artists must most urgently interpret in order for us to indeed survive. That task of the artist as a grounding and elevating force in turbulent times is what Toni Morrison (b. February 18, 1931) explores in a stunning essay titled “No Place for Self-Pity, No Room for Fear,” included in the 150th anniversary issue of The Nation.
Claire Louise-Bennett, Pond, more from Ireland, short, nominally fiction but more like a circular sensory experience of reading overlapping short stories, with a cumulative effect akin to that of poetry. I found this one mesmerizing
“Only an artist can tell … what it is like for anyone who gets to this planet to survive it,” James Baldwin asserted in contemplating how the artist’s struggle illuminates the common human struggle. “War and chaos have plagued the world for quite a long time,” wrote a forgotten defender of E.E. Cummings and the artist’s duty to challenge the status quo, “but each epoch creates its own special pulse-beat for the artists to interpret.” Often, the pulse-beats of chaos that feel most unsurvivable are those which artists must most urgently interpret in order for us to indeed survive. That task of the artist as a grounding and elevating force in turbulent times is what Toni Morrison (b. February 18, 1931) explores in a stunning essay titled “No Place for Self-Pity, No Room for Fear,” included in the 150th anniversary issue of The Nation.
Are Men Bothering You at Work? Call 1-800-MANSPLAIN.“Are you a lady who is tired of men bothering you at work by offering unsolicited advice? Sweden’s largest workers union has set up a hotline for women ‘to report their condescending male colleagues.'”“President-Elect Trump’s transition website promises to “dismantle the Dodd-Frank Act and replace it with new policies to encourage economic growth and job creation.” To help our clients keep up with the reorientation of the financial regulatory framework, Davis Polk is launching a new blog, FinRegReform.com
“This is the entire essence of life: Who are you? What are you?” young Tolstoyproclaimed in his diary. “A person’s identity,” Amin Maalouf wrote as he contemplated what he so poetically calledthe genes of the soul, “is like a pattern drawn on a tightly stretched parchment. Touch just one part of it, just one allegiance, and the whole person will react, the whole drum will sound.” How we draw and accrue our allegiances as life flows through us and we through it is a centerpiece of our human experience, for we are, in the words of philosopher Amelie Rorty, “the sort of organisms that interpret and modify their agency through their conception of themselves.”
I'm Catholic and I can't commit suicide, but I plan to drink...
- Jack Kerouac
By launching Trips, Airbnb hopes to capture every step of the travel process
Nature’s Best Photography Awards – A new Smithsonian exhibit showcases striking images of bears, leopards and more. By Alexandra Wolfe.