Daily Dose of Dust
Jozef Imrich, name worthy of Kafka, has his finger on the pulse of any irony of interest and shares his findings to keep you in-the-know with the savviest trend setters and infomaniacs.
''I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center.''
-Kurt Vonnegut
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Monday, April 05, 2004
Danish philosopher Sóren Kierkegaard, patron of Media Dragon, called it the root of all evil. A culture frantic to entertain, divert, and inform cannot drown out boredom. It’s still a part of our condition...
Failure to Challenge Critical Conditions
The failure to challenge is a fundamental flaw in US arts journalism. The tone in US arts coverage is uniformly respectful, uninquiring, inherently supportive. And how did this happen? Because there are few cities with multiple critical voices. This monopoly places an unhealthy burden on critics. If theirs is to be the only voice to pronounce on a new show or the fate of an institution, they are obliged to wear a mantle of responsibility that is antithetical to good journalism. A critic is licensed to get it wrong from time to time. Restrict that license and the reviews grow safe and solemn. An era of incorporation fostered a pontifical tone in American arts criticism.
· Why American Arts Journalism Is So Bad [ courtesy of La Scena Musicale 04/01/04 ]
· See Also Celebrating Boredom: We try our best to avoid it, but boredom has its benefits